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I have made a trip to Skorradalsvatn lake several times to record under the ice in recent winters. It has had mixed results and often without success mainly because of poor weather conditions.
It is best to record when it is windy and not too much frost so  I can work on the ice without problems. The hole for the hydrophones must not freeze within four hours and I must not get too cold while waiting for the „harvest“. Too much snow on the ice is not on the wishlist, but anyway hydrophone cables buried under snow can  avoid wind noise from cables, if the wind is too strong on the surface.
On February 15th I arrived northeast of the lake at a place where I myself can get shelter between high trees even though it is windy out on the frozen lake. At this place I also get rid of the electrical pollution that I have detected further west in this 20 km long lake.
When I arrived at the lake on this fine day, the wind was unfortunately decreasing. I didn’t even notice any „singing“ or „humming“ sound from the lake’s icy surface, even though the wind was blowing. So I wasn’t expecting a powerful musical composition under the ice.
This year the ice was about 35-45 cm thick, combined with Ice slush and nowhere seemed to be like a solid glass. So I realized that the sounds under the ice would be different this year.
I got into some strange trouble on the ice. I first planned to record on a Tascam FR-AV2. But everything was drowned out by white noise, so I switched to a MixPre. There I struggled with a poor power supply connection. I got it working and started recording. Two hours later I arrived at the recording place and noticed the recorder was dead. I started recording again and recorded for another hour.
It turned out when I got home that I had managed to record for an hour in the first recording.
But that was not all. The second recording was at a much lower gain level with more noise, even though I hadn’t changed the settings.
Now a month later the power connection to the MixPre is repaired which will hopefully never cause trouble again. In a recording trip week later I noticed that the 25V Li-Ion battery pack I use for the Hydrophones will drop voltage sharply in frosty conditions which explains lower gain level on the second recording.
But what happens with the Tascam this day, is a mystery
The audio file below is from the first recording. The sound is quite different from those heard when the ice is solid and transparent. The sounds are still interesting and constantly changing due to different winds on the surface.. Some of the sounds surprised me a bit. You can hear car traffic in the recording. But about 200 meters from the recording place is a road by the lake. When cars drive by, heavy rumblings like an earthquake can be heard in the recording, Also a noise when these cars drive over a barred gate.
Quality open headphones are recommended while listening at any comfortable level, but be carefull, there are high dynamic moments.
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(mp3 256kbps / 57,5Mb)

Recorder: Sound devices MixPre6
Mics: Benthowave BII-7121 Hydrophones (AB 5m & 6m deep)
Pic: Samsung S22

Weather: Clear sky, 1-4m/sec, -8 to -12°C
Location: 64.513020, -21.412597

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In recent years, I feel that Iceland has cooled down and the summers have also been colder and more rainy. This should not be surprising because the meteorologists who have predicted the consequences of „global warming“ have predicted this weather pattern due to changes in the Gulf Stream. Added to this are natural fluctuations that could explain why it has been colder the last two years than the years before. This is all an emotional assessment so it is best not to say anything further about this. But this cold weather has offered the possibility of recording under frozen lakes near the capital. Something that I have not been able to do since I acquired hydrophones, except by difficult trips to remote places up in the highlands. The only thing I have to strive for is to get suitable recording weather on the weekend so that I am less busy at work. The possibilities for getting good recordings therefore have a few hours a year.
The little experience I have with these recordings has told me that it is not enough to find icy water, drill a hole and record. I can get very different recordings by finding the right hydrophone location, such as depth and the gap between two hydrophones. Then the frost must be below -5°C and the frosty days must have lasted for more than 5 days. Whether there is a thick layer of snow on the surface or naked ice, windy or calm weather. Size and depth of the lake and the thickness of the ice.
For me, this is always a bit of an issue. I have always traveled alone and been very careful when traveling and avoided all risks. Traveling on ice of varying thickness where no one sees or knows about me is therefore unexciting.
It was like that when I arrived at Skorradalsvatn (lake) in the dark and -8°C frost on January 5, 2025. I just went a few meters out onto the ice and drilled two holes there. The ice turned out to be about 25cm thick and the depth under it was almost a metre. Even though it was calm, sounds from the ice could still be heard on the surface. Sounds that would have been much clearer in the wind earlier that day.
I had to start recording immediately if I was going to be able to record these sounds under the ice. If it gets calm for a few more hours the lake will get very quiet.
The sounds heard in the recording are heard just as well on the surface, except that they are heard much louder under the ice, plus all kinds of smaller details.
Since I was not far from land, the rumble of a car driving along a road about 100 metres away is also heard through the ground. Then you can hear the rumble of air traffic very well, which is probably because the ice on the lake acts like a membrane on a microphone. At the same time, I climbed out onto the ice to take pictures so that my footsteps could be clearly heard.
Quality open headphones are recommended while listening at low to mid volume. There are a lot of very powerful sounds in this recording that can easily damage your hearing and speakers. I therefore do not recommend high volume
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Some of the loudest pitch there seems to be have some distortion. I didn’t notice this until the recording was transfered to mp3. But this is not a problem on the original recording WAV 24bit/48Khz. Let’s just leave it like this

(256Kbps / 60Mb)

Recorder: Sound Devices MixPre6
Mics: Benthowave BII-7121
Pix: Canon EOS-R

Weather: Cludy, Calm, about -8°C
Location: 64.5137303,-21.4130149

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The remarkable thing happened in the winter of 2022-2023 in Iceland, at least in the southwest, that there were many consecutive days with severe frost. The winter was undeniably reminiscent of the winters of the 1970s and 1980s, when catastrophic or global warming had neither become tangible nor existed in the dictionary.
This gave me the opportunity to record under ice, which I hadn’t done before.
I invested in a proper ice drill and managed to make three trips to Skorradalsvatn lake to record under and over the ice. But the lake is located about an hour’s drive from Reykjavík.
It was surprising that the sounds from frozen lakes are not produced by the frost alone and the variable expansion of the ice. Rather, it primarily depends on the wind strength, size and depth of the lake.
Although everything seems flat and there are no waves visible on the ice surface, there is a lot going on. Especially under the ice, where there is clearly significantly more noise than on the surface. On the surface, you hear mainly „drone squeals“ and occasional clicks and breaks, which are also interesting to record.
The following recording was recorded approx. in 8 meters depth, not far from the place where the lake is deepest, or about 60 meters. Many things can be said about this recording. I’m not entirely happy with it, which I’m not going to mention here. But recording ice on lakes is clearly a very interesting subject. Something I hope to be able to do much more often in the future.
Depth and size of the lake. Shape of the lake and lake bed, volume of wind and snow, ice thickness and ice temperature, everything matters if I like to catch these amazing sounds.
I’m always traveling alone, so I didn’t take any risks by going far out on the ice this time. But I will definitely try it sometime if mother nature and luck gives me such a perfect winter again.
Quality open headphones are recommended while listening at low to mid volume. There are a lot of very powerful sounds in this recording that can easily damage your hearing and speakers. I therefore do not recommend high volume
If the media player doesn’t start to play, please reload this individual blog in a new tab or frame.

  (mp3 256kbps / 66Mb)

Recorder: Sound devices MixPre6
Mics: Benthowave BII-7121
Pix: Samsung S22

Weather: Windy 5-8m/sec, clear sky, -8¨C
Location: 64.515130, -21.505672

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