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This incoherent and rather strange headline was the result of my last sound recording under the ice on Skorradalsvatn in western Iceland on 14th of March 2026.
I had found a new place by the lake where I had good access by car and equipment and was close to the deepest point of the lake which is 46 meters deep. I considered it unnecessary to go where the depth was the greatest on the ice but the hydrophones went down about 9 meters without touching the bottom. I had 8 meters between the microphones and arranged them so that I would get a good stereo image from the deepest part of the lake. The ice on the lake had been the same all this winter. It was 40 cm thick formed from slush and therefore opaque. On top of it was snow of varying thickness and in many places the bare ice could be seen.
When I first arrived it was sunny and frosty, about -4C°. However, it was noticeable that in direct sunlight it was quite hot, probably +5c°
Shortly after the recording started, high-altitude clouds appeared, which meant that within 40 minutes it was completely cloudy and sunless.
The weather forecast had promised me considerable wind in the afternoon. After four hours of waiting by the lake, a wind began to move, which I thought would be a good sign. However, I could not hear anything in the ice on the surface, which I thought could be because the snow on the ice dampened all surface sounds. When darkness fell, I decided to stop the recording.
At first I was alarmed because I could not see the equipment and snow now covered the path out onto the ice where the equipment was located.
When we got there, all the equipment was covered in snow.
It was quite a disappointment when I reviewed the recording at home. Mostly complete silence after the sun disappeared behind the clouds and then I heard a huge white noise that I thought at first was a malfunction in the equipment.
By zooming into the spectrogram of almost 5 hours of recording, several things became visible, some of which called for research work. The result is this:
Wind creates waves on icy water. Although no movement is visible, the waves create an enormous amount of noise under the ice, which can often also be heard at a limited intensity on the surface.
When direct sunlight shines on icy water, the temperature difference in the ice creates tension and fractures that can be clearly heard under the ice. This decreases in proportion to increased cloud cover. The ice and the water become completely silent when it is calm and it is completely cloudy. The same applies to snow lying on the ice. The more snow that covers the ice, the quieter it will be under the ice, whether the sun is shining or the wind is blowing.
In the recording below, you can hear a very powerful „explosion“ or „thunder“ that has no obvious explanation. There were no strong earthquakes in the area at this time. The closest one was under Langjökull glacier, which was measured 50 km away on the magnitude 2, which cannot explain this loud noise. After a short conversation with geologist Páll Einarsson, he thought it could be a ground freeze, but in my opinion the frost was not strong enough that day, or the days before, for that to be a likely explanation.
The only explanation I can give is that it was a meteorite that entered the atmosphere. The ice on the lake has received the impact of the wave like a microphone and echoed under the ice. Although such shock waves from meteorites are usually closer to an explosion, it is the size and length of the water that makes this explosion echo for 25 seconds. With software I see that two shock waves create these rumbles. First one is clearly visible as a one wave in 8-10 millisecond and the second one, slightly weaker, lasts as 10 Hz in one second, which then flows out as echoes under the ice. This low frequency is lower than the human ear can detect, so it is no wonder why I never hear anything that day, or some „explosion“ which is not unusual in the human world.
It should be noted that I had heard news of meteorites all over the world on social media around mid-March, so a meteorite was the most likely explanation.
Another interesting thing was that I didn’t quite understand and it lasted for 8 minutes. It was a regular „burping sound“ that made me think at first that it was some fish because it sounds like a regular „breath“. But the most likely explanation is that it was a release of methane gas from the bottom. What argues against it is that it is not clearly audible when the bubbles float to the surface. However, it could explain that these bubbles came up very close to land.
Then there is the question of why bubbles rose from the bottom, both there and clearly deeper into the lake. Then we came back to the earthquake under Langjökull Glacier which was at a very similar time when the methane gas released from the bottom of the lake
In the end was another thing that really surprised me. When it started to get windy, which was actually a 4-5m/sec gust, it did not create „waves“ with cracking sounds in the ice. But instead it was strong enough to create a „blizzard“ on the surface of the ice, which sounded like a fairly loud white noise below the ice surface.
The audio below is a composite of this 5-hour recording. You can hear the ice cracking when the sun shines on it and how the sound diminishes as the cloud cover increases. Then you can hear me walking to the recording location and breaking the ice in the holes where the hydrophones were. After that comes the expotion sound from the Meteor at 16:30
Then you can hear methane gas escaping from the bottom of the lake and at the end there is a blizzard that sounds like a „white noise“ under the ice.
Because of the low key sections of this recording, I felt I needed to use noise reduction in the quietest part of the recording. Not much more than that, but you will still hear some noise.
Keep in mind that there are also some very loud moments in this recording. Especially when I am breaking ice in the holes for the microphones.
The shockwave from the meteor is also loud. I do not recommend playing it loud.
This is one of those recordings where I was thinking of using a compressor to reduce the extremes between the highest and lowest volume levels. But since these hydrophones have both a wide frequency range and a wide dynamic range that sound amazing in good headphones, I decided to do as little post-processing as possible.
Quality open headphones are recommended while listening at any comfortable level, but be carefull, there are high dynamic moments.
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(mp3 256kbps /56,3Mb)

Recoder: Sound Devices MixPre6
Mics/Hydrophones: Benthowave BII-7121
Pix: Samsung S22

Weather. Sunny to coudy, – 5°C, calm to 3 m/s
Location: 64.518492, -21.463615

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I have made a trip to Skorradalsvatn lake several times to record under the ice in recent winters. It has had mixed results and often without success mainly because of poor weather conditions.
It is best to record when it is windy and not too much frost so  I can work on the ice without problems. The hole for the hydrophones must not freeze within four hours and I must not get too cold while waiting for the „harvest“. Too much snow on the ice is not on the wishlist, but anyway hydrophone cables buried under snow can  avoid wind noise from cables, if the wind is too strong on the surface.
On February 15th I arrived northeast of the lake at a place where I myself can get shelter between high trees even though it is windy out on the frozen lake. At this place I also get rid of the electrical pollution that I have detected further west in this 20 km long lake.
When I arrived at the lake on this fine day, the wind was unfortunately decreasing. I didn’t even notice any „singing“ or „humming“ sound from the lake’s icy surface, even though the wind was blowing. So I wasn’t expecting a powerful musical composition under the ice.
This year the ice was about 35-45 cm thick, combined with Ice slush and nowhere seemed to be like a solid glass. So I realized that the sounds under the ice would be different this year.
I got into some strange trouble on the ice. I first planned to record on a Tascam FR-AV2. But everything was drowned out by white noise, so I switched to a MixPre. There I struggled with a poor power supply connection. I got it working and started recording. Two hours later I arrived at the recording place and noticed the recorder was dead. I started recording again and recorded for another hour.
It turned out when I got home that I had managed to record for an hour in the first recording.
But that was not all. The second recording was at a much lower gain level with more noise, even though I hadn’t changed the settings.
Now a month later the power connection to the MixPre is repaired which will hopefully never cause trouble again. In a recording trip week later I noticed that the 25V Li-Ion battery pack I use for the Hydrophones will drop voltage sharply in frosty conditions which explains lower gain level on the second recording.
But what happens with the Tascam this day, is a mystery
The audio file below is from the first recording. The sound is quite different from those heard when the ice is solid and transparent. The sounds are still interesting and constantly changing due to different winds on the surface.. Some of the sounds surprised me a bit. You can hear car traffic in the recording. But about 200 meters from the recording place is a road by the lake. When cars drive by, heavy rumblings like an earthquake can be heard in the recording, Also a noise when these cars drive over a barred gate.
Quality open headphones are recommended while listening at any comfortable level, but be carefull, there are high dynamic moments.
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(mp3 256kbps / 57,5Mb)

Recorder: Sound devices MixPre6
Mics: Benthowave BII-7121 Hydrophones (AB 5m & 6m deep)
Pic: Samsung S22

Weather: Clear sky, 1-4m/sec, -8 to -12°C
Location: 64.513020, -21.412597

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It was at the beginning of January that I needed to find recordings related to glaciers for Kristjan Maack’s photography exhibition at the Reykjavík Museum of Photography that I had to run a few selected recordings through a spectrogram. Including this recording that I recorded at Fjallsárlón in the wonderful COVID year of 2020 when the number of tourists decreased so sharply that it was possible to record at this place as well as at various other places without much interference from tourists and car traffic.
I myself find it strange that I had not run this recording through a spectrogram earlier because I remember well that I had slept all night in a Bivi bag, not far from the recording location. So I had no idea what I had recorded that night.
This recording has several interesting soundscapes during these 30 minutes while it runs. In fact, it is very interesting to listen to it all, i.e. for 14 hours.
It is recorded on 4 channels. Two microphones were on the shore of the lagoon and two hydrophones were in the lagoon. What you hear is therefore the entire soundscape that can be found in this place at a time when there is calm and quiet, before it starts to get more windy and rough. The background noise is entirely from the surface. In this calm wather, the surf is heard out on the Atlantic coast (and some traffic too) in the right channel, the echo of the surf from the mountains is in the left channel. When it starts to get rough, you can hear ripples on the surface of the lagoon.
The more I listen to this recording, the more interesting I find the background noise. How it changes slowly while birdlife and other things in the environment go about their business. Somehow this background noise is reminiscent of what is heard underwater at sea when recording from a boat drifting with currents and winds.
There is not much sound below the surface of the lagoon, although there was a lot of ice on the lagoon. This reflects a slow melting, as the temperature of the lagoon is only about one degree and the lagoon is salt-free, unlike Jökulsárlón. However, you can hear air bubbles bursting from the icebergs like a faint bird’s chirp. Occasional clicks and pops as the ice splits, crumbles and turns. . You can also hear yaks touching and scraping the bottom of the lagoon.
This part of the whole recording was made at sunrise early in the morning and the sun was starting to warm the environment. You can hear it clearly in the Rode NT1 microphone when the metal housing clicks due to temperature changes.
I let these clicks be because many people have asked me about this microphone for outdoor recordings. But these clicks are mostly heard during sudden temperature changes.
This recording is rather low-key, but has endlessly something interesting to offer, Sometimes it is something related to the ice in the lagoon, sometimes it is the glacier and sometimes it is the animal and bird life that is a pleasant surprise. At the same time, the background noise is in constant motion.
I think it is likely that I will put more of this recording on the website later

(mp3 256kbps / 56,5Mb)

Recorder: Sound devices MixPre6
Mics: Rode NT1 (90°30cm NOS) & Benthowave BII-7121 (AB 2m)
Pix: Canon EOS-R

Weather: Calm, 2-14°C, clear sky.
Location: 64.012605, -16.388963

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Always nice to find a recording from 2023 that I had forgotten. Although mainly because the summer of 2023 was difficult to record due to cold, wind and rain from spring until just over mid-summer. What also happened was that I lost all the photos I took on my phone this summer, so the possibilities of posting material from this summer on this website decreased.
With this recording session I remembered that I had taken a lot of photos on the SLR camera from the recording location, photos that had not been lost.
This recording was made on July 11, when Summer nights are bright.
As often happened this summer, the birdlife was extremely silent and distant. There was no exception in this recording with very brief exceptions.
I placed the microphones in shelter under the shoreline and pointed them out to sea. The tide was in the middle and the wind was out to sea so the waves were calm.
While the sun was setting north of the Westfjords mountain range, it was nice to lie in the grass and let time pass while the recorder captured the moment down to the shore.
I let the first 35 minutes resonate here. It is therefore heard in me as I start the device and leave. At the end, most likely a raven sits right next to the microphone, probably hoping to have found food, but flies away when it turns out that the microphones did not resemble as two dead fury animals.
The recording was done with 48dB gain in the audio processing, it was increased by 23dB up to -5dB. The HPF was at 80hz

(mp3 256kbps / 66,7Mb)

Recorder: Sound devices MixPre6
Mics: Rode NT1a (NOS)
Pix: Canon EOS R

Location: 65.045427, -22.797681
Weather: Clear sky, 2-4 m/sec, 7°C

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Here is a recording that came as a surprise after I put it in Spectrogram, because I was sure that I had not recorded anything special.
Earlier the evening before the recording started, a lot of wind had been forecast for later that night. So I was not spreading recording equipment around me as I would have liked in this wonderful and secret place in the highlands.
However, I decided to use Lewitt LCT540s in an IRT cross in a sheltered place from the coming storm. Two of the four microphones were pointed as much as possible into the ground, while the other two were allowed to point out into an open area. The recording seemed to only sound interesting in the wind that was present when I started the recording. The entire time I had been at this place in the highlands, I had not heard birds or any other life. Only in the wind and the flow of water in the nearby water sources.
But later that night while I was sleeping, a completely calm weather came that seemed to awaken a lot of birdlife. Birds that I had neither seen nor heard earlier the days before.
However, I never noticed this peaceful weather that night or this bird song. I just went to sleep in the breeze and woke up in a storm. It was therefore quite amusing to discover that I had managed to record the birdsong even though the microphones were placed in the wrong place for such a thing. It was first and foremost the microphones facing the ground that captured the most bird song. Those facing out into the open mainly recorded the behavior of Red necked phalarope which were at a considerable distance and goose in far distance.
To be honest, considering the placement of the microphones, this is a surprisingly good recording. This can probably be attributed to these excellent Lewitt microphones, also because they were not very visible to the birds that are best heard because they do not emit warning sounds. But if I had worn the microphones in something other than fur and been positioned closer to where the birds were, I would have achieved incredibly clear recordings in the most subtle way. In addition, very distant sounds would have become more clear and focused. But it is always difficult to be prepared for such weather conditions that it is possible to be without fur in Iceland when such times are perhaps 6-12 hours a month.
You can hear in the entire recording running water, also a kind of rumbling from running water that I assume could be a stream of spring water below the ground. But in this area there are huge water sources that could probably serve a city of millions with fresh water. The sound was recorded at +50dB gain and increased by +20dB in post up to -10dB. No RX noise reduction, mainly because I have never been satisfied with the result when I have used the LCT540. But EQ was used. Sharply pulled down below 50hz and above 10Khz, mainly to bring down unnecessary rumble and white noise from the equipment.
Quality open headphones are recommended while listening at low to mid volume.
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(mp3 265kbps / 66Mb)

Recorder: Sound Devices MixPre6
Mics: Lewitt LCT540s (IRT cross setup)
Pix: Samsung S22

Weather: Calm cloudy, about 7°C
Location. Secret place on the Icelandic highland

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The „recording summer 2025“ started rather poorly. Cold, rainy, always strong winds and the birdlife was rather quiet. However, it does happen regularly during the nighttime the weather gets calm for about 1-4 hours. There was therefore no need to panic because the equipment was allowed to work almost every night. However, it seemed to be a small gain considering the cost, time and effort.  I only could hear birds when I wandered close to their nests or youngs
The most important thing was to follow the weather forecast, search maps and try to find new recording locations as well as get to know the local conditions. If the weather was going to be completely impossible for a microphone, it was almost always possible to set up an antenna and record the space weather.
But then it suddenly happened at the beginning of July that summer arrived with warmth and less wind. Birds also started to sing without me as a human being triggering a warning sound all over the fields.
I was then at Öxarfjordur and had thought about going to an old recording site on Vestursandur. Then I saw a gate open on a trail that has always been closed when I have been there. So I drove along the trail and suddenly I was in a green oasis that contained a lot of bird life that I did not know about.
So I found a place where it was easy to find as many recording sites as possible within walking distance.
In the end, 4 recording devices were running that night. The drawback was that in the countryside you could hear most of the night that the farmers were working all night long until early morning. But after a jet flew over, the farmers quit their work and a relaxing summer silence took over.
There is still something in this recording that gives off a vibrating background, noise or hum. Which I suspect could be the surf from the beach not far away and sometimes the occasional car traveling through the county.
Quality open headphones are recommended while listening at low to mid volume.
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(256kbps / 66Mb)

Recorder: Sound devices MixPre
Mics: Lewitt LCT540s (IRT Quad / 4x NOS)
Pix: Samsung S22

Weather: Clear sky. Calm to 4 m/sec. 12°C
Location: 66.093326, -16.645256

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Earthquakes and volcanic eruptions seem to be becoming a daily occurrence for Icelanders. It is best to notice them when such events start to bother you personally. In July I was traveling, including in Fjörður area in North Iceland. On the night of July 15, 2025, I woke up around 5am in a tent to a creaking sound outside my tent. At first I thought a silent electric car was creeping along the gravel road right behind me, but soon fell back to sleep again. The next day I heard that there had been several earthquakes in the area during the time I was there. The strongest one was close to midnight measuring 3.9 and several aftershocks up to 2.0 during the night to the morning
I myself somehow did not notice the 3,9 earthquake. Probably because there was wind and considerable noise from the beach and the large rivers in the surrounding mountains.
But later in the night, It gets calm and foggy and the ambient noise diminished during the aftershocks.
The recording proves what woke me up this night was a landslide in the mountains.
Up on the mountainside above me was a microphone set that managed to record both the rockslide and the gravel slide, but at a considerable distance.
Because of the natural noise in the background in this soundscape the recording itself is rather boring, e.g. stream-rivers in the valley at left side, and waves from the shore at the right side.
But this unpretentious soundscape is very typical in valleys that extend into the sea all around the country. So it can’t be avoided to put something like this on this blog. Under all normal circumstances, such a recording would simply go into storage with all the other 90% of similar recordings.
One thing that can be noticed in this recording is that just before the aftershock and the rockfall this morning, the birds seem to react in some way. After this first earthquake, for about 20 minutes, you can regularly hear rocks falling and gravel sliding.
Quality open headphones are recommended while listening at low to mid volume.
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  (mp3 265kbps / 55,3Mb)

Recorder: Tascam FR-AV2
Mics: Sennheiser MKH20 (AB45)
Pix: Samsung S22

Weather: Partly cloudy, 1-2 m/sec, 15°C
Location: 66.136151, -18.068340
Skjálftalísa Verðurstofunnar

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I have been quite busy recording this summer. Not least the space weather, i.e. solar storms, because in the coming years solar activity will increase, which could well be my last chance to record something like this.
Last winter I built both a VLF receiver and a good antenna that was and is easy for me to set up alone in almost any weather.
At first glance, the summer recordings seem to have been quite successful. However, there are various „technical“ issues that need to be fixed so that the recordings will be better. but that will hopefully happen in the fall.
I always tried to record for as long as possible to collect as much information as possible. I try to avoid being close to high mountains or buildings that block the view into space, or cause electrical pollution. The same goes for high-voltage lines and electric fences that create electrical pollution. All of this has to be behind mountains, or at least 20 km away. Unfortunately, these places are hard to find in Iceland. I didn’t record as much material as I was interested in, but I have found some pretty good places here and there all over the country.
Although I am recording the same thing as the northern lights, it has been shown that the most interesting sounds are heard in the mornings from about 06am to 11am. Almost without exception, you can expect to hear „Dawn chorus“ and „Whistlers“. in all sorts of varying pitches. No recording therefore sounds the same, although „Tweeks“ can be heard pretty much all day long, but with varying intensity.
What interests me most is what happens in the frequency range of 1Khz to 5Khz, as well as what happens at low frequencies, below 40Hz. Then there are silences in certain frequency ranges on a kind of background noise that seems to come from outer space, which I previously thought was due to poor equipment. Much of this material requires special analysis in spectrograms and time spent listening that awaits a better time.
Mainly due to lack of time, I must admit that I am not yet good at this subject. But I can thank Stephen P McGreevy for inspiring me for over a decade.
Here is a recording chosen at random from the summer’s recordings. It does not necessarily have to be the best, but there is a typical „Dawn chorus and Whistler“ that calls for good listening and attention.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.
Be careful, if too loud, it can damage both your speaker and your hearing.

(mp3 256kbps / 65,6Mb)

Recorder: Zoom F3 & Exporer E202 Receiver
Receiver: Explorer E202 V1,4
Pic: Samsung S22

Weather: Clam, dry, misty (misty because of the eruptin at Reykjanes
Location: 64.820680, -19.693353

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I must admit that I have posted a recording with this particular mouse before, but it does not play a major role in this recording.
It is the silence, the „calm“ weather and light gusts that can be heard in the recording that I have now been waiting for for almost two weeks, i.e. the end of May – June.
The summer is not going to start well for sound recordings. Winds are well over 4 m/sec and very cold, sometimes up to -3 °C. Normal wind has been all over the country around 4-9 m/sec up to 20-32 m/sec in some places and days.
The situation has therefore been easily called a traditional „winter storm“, then and when snowfall is added.
In such weather, bird song falls silent and young birds die in nests, although some birds are breeding again.
This weather has also meant that it is not possible to install VLF antennas. But major solar storms have raged in the solar system in recent months. But VLF recordings need same weather situation as microphone recordings. Wind should preferably not exceed 2-3 m/sec if anything is to be interesting in the content of the recordings.
But then we turn to the accompanying recording, it was recorded early in the morning on November 26, 2023 under a full moon in Stafholtstungur at -1°C and 2-3m/sec which rustles gentle straw and leaves.
Because of an earlier experience. This time I thought that I had given the mouse a butter cake, that I spread around the microphones.. It is therefore quite remarkable that the mouse tried to chew on the cables that night. It starts chewing on the microphone cables with great noise (around 20 minutes). Almost throughout the recording, various sounds can be heard that can probably be traced to the mouse, especially in the last three minutes.
As it was getting close to 6am, you could hear some traffic in the distance
The SD788 was recorded with a gain of +48dB with no LPF, which was probably not wise. But if you can get away with it during recording, it’s often more fun to manipulate it afterwards. It was cut below 50Hz and above 10Khz
The gain was increased by another +14 dB to normalize to peak level in post-processing.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 62Mb)

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Recorder: Sound devices 788
Mics: Lewitt LCT540s ( IRT cross 90°/30cm)
Pix: Canon Eos R

Wether: Calm up to 2 m/sec, partly cloudy.
Location: 64.673381, -21.628700

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Here is an audio recording from a secret spot in the central highlands of Iceland that I have previously shared sounds from. But I will not say where that place is.
By pure coincidence, I was on the outskirts of the central highlands on June 29, 2024 when I heard that a road into the highlands that had been closed all winter had been opened. So I was among the first to enter the highlands and this secret spot this summer.
There are old stone/turf ruins at the site where I noticed a White Wagtail had made a nest inside the wall. It was quite windy so it was the perfect opportunity to record what was happening inside the ruins.
For the first few hours, I did not notice much birdlife at the ruins, until very early in the morning. The recording began soon after I noticed the birds had arrived in the area. It was clear that the birds were not happy with these gray furry neighbors so close to their nesting site. One of the birds tried to scare the microphones away with wingbeats and warning sounds. But the microphones stood firm and did not move, so later that night the birds took the microphones in peace.
Later in the morning it was heard that the White Wagtail can make various sounds, probably for communication, but that will be the subject of another post.
This area has incredibly abundant freshwater springs, so it’s a real surprise every time I visit the area. The sound of the water from these springs can be heard in the background of the recording, as well as other birdlife that is always found in such water and vegetation oases in the Icelandic highlands, which are otherwise just a black desert.
The recording was made with a Rode NT1a inside the walls of the ruins. The sound, or stereo image, is therefore a bit strange, but you get used to it.
Recorder was Zoom F3. Digital gain at 256 and HPF 40hz.
In post, add +13dB to normalize, fade in & out, and then downgraded to mp3

(mp3 256mbps / 60Mb)

Recorder: Zoom F3
Mics: Rode NT1a (NOS 90°-30cm)
Pix: Samsung S22

Weather: Calm up to 8m/s, partly cloudy.
Location: Secret place

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