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Posts Tagged ‘Fuglasöngur’

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This recording is actually recorded in a „natural silence“, far away from traffic in open landscape, which can be said to be my area of interest. But the weather, as so often before, was no way to work with me. Windy and wet which means I was not able to record the „depth in the field“ that can often be heard through good recordings, recorded in calm, dry weather.
There is no doubt when I say that 95% of all the recordings I record in Icelandic nature sounds like this. Therefore, it is also wrong not to report it with examples.
Here is one. The location is the highland at Arnarvatnsheiði, northwest Iceland near a place called Hæðarsporður
I had to find a sheltered place close to the ground to protect the microphones as much as possible from wind and rain. Close to the ground isn’t a good position for microphones, but often only way to record something for a days or a weeks
While Rode NT1 is a cardioid I couldn’t find an ideal location, so it is not a good balance between right and left channels. Right channel has noise from the Norðlingafljót river just over a km away, as well as there is less bird life on the left side
The result is as it is.
This is a part of a ten hours long overnight recording. During the night the windshield gets very wet, so one of the reasons why this recording sounds a bit „dull“.
The soundscape was quiet as usual on the Icelandic highland. It was almost impossible to hear anything except wind noise. The recorder was at +50 db gain on SD788. In post the gain was increased by about +25db (up to -7db). RX noise reduction was not used. Wind noise was decreased below 100Hz with EQ, also NT1´s white noise was lowered above 10Khz about -3db,  and -6db at 15khz.  Normally it does not harm the recording while bird songs which have the highest frequency range in Icelandic nature are mostly below 7Khz.
Quality open headphones are recommended while listening at low volume
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  (mp3 256kbps / 55,8Mb)

Recorder: Sound Devices 788
Mics: Rode NT1 (NOS 90°/30cm)
Pix: Canon EOS-R

Weather: Windy up to 8m/sec, drizzle rain, foggy & 5°C
Location: 64.854845, -20.545331

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It has been several years since I published a recording from Flói nature reserve. The reason is more or less because of foul weather in recent years when I have had the opportunity to record there.
It was no exception last summer from late April to mid July. It was cold, windy and wet most of the time which is actually the high season for birdsong recording.
I went there on the 3rd of July 2021 and recorded overnight. The weather was calm in the beginning but the wind increased over the night. I was also struggling with increased sea tide and therefore a surf noise from the coast line, actually at the same time when the birds were most active during the dawn.
My mics were Lewitt LCT540s in IRT cross setup. Most of the bird’s activity was in front of channel 1&2. Most „silence“ was in front of channel 2&3 and most of the surf and traffic noise was at channel 4&1.
It surprised me how much traffic was there the whole night. There was almost constant rumble in the air during the ten hours I was recording, except between four and five o’clock in the morning. This noise was much more audible than I remember in my earlier recordings. The reason could be found in different mic setup and mics. Ten years ago I used to use NT1a in NOS or AB, pointing towards the open field and keeping the nearest road and coastline behind. I have also used MKH20 in AB which is less sensitive for these details than large capsule mics.
It takes time to search in this 10 hour long recording for some nice sounding 30 minutes moments. Listening to the whole four channels it starts with heavy traffic noise in all channels, then surf noise. Then traffic noise again until the wind and the sun makes the air so unstable close to noon, both traffic noise and bird activity almost disappear in the wind noise.
But with an IRT cross rig I have many options. I can turn off the channel or channels which are disturbing for the soundscape I am looking for.
The recording below is a very good example of this. Instead of using all four channels and mixing them to stereo, I use only channel 2&3 (NOS 90°/30cm) to avoid the surf noise. The time when it starts is about 04:15 so there is almost no traffic noise, but anyway, the recording starts and ends with some engine noise in the distance.
Quality open headphones are recommended while listening at mid or low level.
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Recorder: Sound devices MixPre6
Mics: Lewitt LCT540s,  NOS 30cm/90°
Pix: Canon EOS R

Location: 63.900944, -21.191958
Weather: Calm to breeze, partly cloudy, ca 5-10°C

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Hjörleifshöfði is a 221 m-high inselberg in southern Iceland. It consists of palagonite. The mountain is located on the Mýrdalssandur outwash plain about 15 km east of the village Vík í Mýrdal, and was an island in the Atlantic Ocean several centuries ago (More info: Wikipedia).
I have very often visited this mountain, both those years when I was used to travel by bike in Iceland and now resent years when I am on my field recording trips.
But in recent years, mainly because of tourist traffic, it has not been so pleasant to stay there overnight to enjoy the natural soundscape, which can be a very different on each side of the mountain.
Thanks to COVID I got the opportunity on the 21st of June 2021 to record the soundscape on the west side without traffic noise from the main road, motor vehicles or tourists around me.
Even without traffic noise it has always been difficult to record this place because of the surf along the coast line which makes constant rumble in the background.
I arrived just before midnight. It was foggy but bright. This was last night before the summer solstice.
The weather forecast told me I would have more wind and even rain later in the morning so I quickly prepared the recording gear. I use the Kayak trailer behind the car to make a shelter from the breeze from the south and point the microphones toward the north in the middle of a big lupine field.
Most birds were mostly in the distance. But what makes the soundscape actually so interesting in this place is the redwing songs. They start their songs or themes differently from what I have heard in other places in Iceland. There are other places in Iceland where I have noticed this difference and it seems like it is somehow connected to places where lupine grows. These songs are also different between these „lupine locations“ e.g. Bæjarstaðarskógur in Skaftafell national park, while redwing songs sound pretty similar all over the country.
I have not investigated this in detail, but I have noticed this by listening to recordings from these locations and comparing them in spectrograms. What I need to do next is film them singing in these places to be sure I am actually listening to redwings (which is though 98% clear in my mind). Other things which make this a little bit difficult is the fact that not all birds sound similar in these locations so it is necessary to collect „closeup songs“ in good sound quality from several redwings to work with and investigate.
This is not my best quality recording, but it is almost impossible to record this place without traffic or surf noise. So I was just lucky to get this one.
Quality open headphones are recommended while listening at mid or low level
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(mp3 256kbps / 60Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040.  (Parallel AB) 
Pix: Canon EOS R

Location: 63.424336, -18.763861
Weather: Calm to breeze. Foggy, around 10 °C

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Two years ago, when I was recording in Skaftafell National Park, I noticed that Redwings sing differently between two places in the park. In the forest around Skaftafellsheiði, above the campsite and the information center, the redwings sing quiet „normal songs“ as most Redwings do in Iceland. But in nearby valley, in Morsárdalur in Bæjarstaðakógur forest, most of the Redwings colony start their song with two long tones before the „normal song“ starts.
I have search my recordings for something interesting. What makes it different and what is common with this Redwing songs which will probably bring me, or someone else, to further research.
But I will not talk about it here, because that will be another story.
By slowing down the recording four times (1min > 4min) it makes a totally new soundscape. It sounds like a rain forest full of screaming monkeys. It opens my mid for different understanding on birdsong. Redwing’s song is much more complex than I thought. They are far from being singing the same melody or make a simple message all the time. It sounds more like a complex language.
It does not matter what they are doing. Are they speaking to each other, sending messages or singing a complex song to the crowd, it always leave the question: What are they doing and what does it all mean?
Following recording was recorded last summer in Bæjarstaðaskógur. You can hear this special Redwing start his song with its two tones before he continues with a „normal“ song.
In the normal speed recording at 2:40, you will hear a rumble from the Morsárjökull glacier which was about 10km away
Background noise is mostly from streaming water in the mountains and the Morsá river.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

Normal speed.
(mp3 256kbps / 12Mb)

Slow speed (4x).
(mp3 256kbps /41Mb)

Recorder: Sonosax SR-X4+ (24/48)
Mics: Sennheier MKH20 (AB40)
Pics: Canon EOS-M

Weather: Light cloud, showers around, calm, 10°C
Location: 64.058877,-17.024021

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Hjalteyri is a small village on the western shores of Eyjafjörður, fjord in north of Iceland.
It all began when the Norwegians started salting herring around 1880 and the village Hjalteyri was confirmed by law as a trading post in 1897. Swedes, Scots and Germans would fish there in the following years but all foreigners had left by 1914.
The Icelandic fishing company Kveldulfur was active there from 1914 and in 1937 built the largest herring factory in Europe at Hjalteyri, which ran until 1966. The company also built many of the beautiful residential buildings that still stand in the village, such as the house of Thor Jensen, the founder of the company, and Asgardur, where the head of the factory lived.
The herring disappeared from the fishing grounds in the 1960s and Kveldulfur thus left as well. Fishing from small boats increased. Today, at Hjalteyri is a harbor and a small fishing industry, the drying of fish heads and aquaculture are the mainstay of the economy. During the summer months the buildings of the old herring factory are often used as a venue for art exhibitions. Around 40 people lives there today. There is also a pretty big Arctic Tern colony which brings also many other bird species to the area.
The following recording was captured in 8th of July 2015. It is 25 minutes of 6 hours long overnight recording.
This is one of my recording where I probably should have used another microphones because of the noise source in the surrounding. In this case a „fan noise“ from the factory. I use cardioid mics so the noise is only on the left side, instead of omni which would have brought the noise more to both sides and made the listening more pleasant in headphones.
So now I would recommend to listen to this recording in speakers in low-mid level, instead of headphones.

(256kbps / 46Mb)

Recorder: Sound devices 744
Mics: Rode NT1a in NOS setup
Pics. EOS-M
Location: 65.853976, -18.194666
Weather: Calm up to 4m N, almost clear sky, temp around 8-12°C

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This recording is almost straight forward from the recording I posted about a year ago “Dawn in Stafholtstungur, part 1”.
Now the traffic in the county increase slowly from previous recording, but all the time it is possible to listen to the birds activity in details around the recording place.
This was recorded the 18th of October 2013, between 6 and 7 in the morning near the farm Arnarholt.
Quality headphones are recommended while listening at low level in relaxed position.

Dögun í Stafholtstungum, annar hluti

Hér er á ferðinni  svo til beint framhald af upptöku sem fór á vefinn fyrir um ári síðan; “Dögun í Stafholtstungum, fyrsti hluti”.  Heyra má að umferð eykst í sveitinni  þar sem klukkan er farinn að ganga sjö.  Gera má ráð fyrir að það heyrist í sumum bílum, þá líklega flutningabílum, um langan veg  frá Norðurárdal suður til Borgarfjarðar. En þegar þögnin er sem mest er vel hægt að heyra í fuglum  athafna sig í smáatriðum nærri upptökustaðnum.
Upptakan var gerð við bæinn Arnarholt þann 18. október 2013
Mælt er með því að hlusta á þessa upptöku í góðum heyrnartólum og á lágum hljóðstyrk um leið og slakað er á í þægilegum stól eða rúmi.

Download mp3 file (256kbps / 60Mb)

Recorder:  Sound devices 744
Mics: Sennheiser MKH20 (AB40)
Pix: Canon EOS M
Rec. location: 64.672593, -21.629240
Weather: Clear sky, calm, -4°C

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Jökulsárgljúfur canyon in Vatnajökull National Park is situated in the north of Iceland near the river Jökulsá á Fjöllum. In the middle of Jökulsárgljúfur, between Dettifoss waterfall and Ásbyrgi canyon, is Vesturdalur valley.
Vesturdalur is mostly surrounded with steep cliffs with luxuriant flat bottom. Through the valley flows a small creek, Vesturdalsá, on its way to the river Jökulsá á Fjöllum.
The first week in June 2014 I arrived there on a foggy night and placed the microphones close beside the creek. The soundscape in the fog was particular. The rumble sound from Jökulsá River about 3 km away, filled the air with extreme murky mysterious power. But all around me was a beautiful bird song that followed me in to the sleep.
This recording is several hours long so it is most likely that more of this recording will be available online someday.
Thanks to the Friends of Vatnajokull who made this recording trip possible.
Quality headphones are recommended while listening at low level.

Vestudalur við Jökulsá á fjöllum

Þann 8. júní 2014 eftir miðnætti kom ég í Vesturdal við Jökulsárgljúfur. Talsverð þoka var á svæðinu svo skyggni var fremur lélegt. Mikil frðsæld var í dalnum enda mjög fáir á svæðinu. Fjölskrúðugur fuglasöngur kom úr öllum áttum, en loftið var þrungið drungalegum drunum frá Jökulsá á Fjöllum í austri. Áður en ég lagðist til svefns fann ég stað fyrir hljóðnemana við bakka Vesturdalsár sem liðaðiðst hljóðlega um dalinn.
Um leið og tækið var komið í gang leið ekki á löngu þar til ég var kominn í draumheima með notalegan fuglasöng í eyrunum næstu klukkustundir fram undir morgun.
Þessa upptöku má þakka samtökunum Vinum Vatnajökuls sem gerðu það kleift að af þessari upptökuferð gat orðið.
Mælt er með því að hlusta á upptökuna í góðum heyrnartólum og á lágum hljóðstyrk.

Download mp3 file (256kbps/51Mb)

Recorder: Sound Device 744
Mics: Sennheiser MKH20 (AB40)
Pics: Canon EOS M (See more pictures)
Recording location: 65.933496, -16.555915
Weather: Calm, fog, around 6°C

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Ásbyrgi was most likely formed by catastrophic glacial flooding of the river Jökulsá á Fjöllum after the last Ice Age, first 8-10,000 years ago, and then again some 3,000 years ago. The river has since changed its course and now runs about 2 km to the east. The legend explains the unusual shape of the canyon differently. Nicknamed Sleipnir’s footprint, it is said that the canyon was formed when Odin’s eight-legged horse, Sleipnir, touched one of its feet to the ground. Legend also relates that the canyon is the capital city of the „hidden people“ (huldufólk), who live in cracks within the surrounding cliffs.
The area is covered in woodland consisting mainly of birch, willow and mountain ash. Several thousand recently planted pines also prospers.
At its innermost end lies Botnstjörn, a small pond surrounded by luxuriant vegetation. The pond is a home to a variety of waterfowl species like Wigeon and Red-necked Phalarope. Arctic Fulmar nest is on the steep cliffs, while many other birds prefer the woods and meadows.
The recording was made around two am the sixth of June 2014.
Thanks to the Friends of Vatnajokull who made this recording trip to Ásbyrgi possible.
Quality headphones are recommended while listening at medium-low level.

Botnstjörn í Ásbygi

Hér er á ferðinni næturupptaka sem gerð var kl 2 eftir miðnætti á útsýnispallinum við Botnsjörn í Ásbyrgi þann 6. júní 2014.
Á upptökunni er helst að heyra í fýl ofan úr bjarginu, rauðhöfðaönd á tjörninni og nokkrum öðrum fuglategundum s.s. músarindli og skógarþresti innan úr skóginum. Þá steypist lítil lækjarspræna ofan af klettinum ofan í grjóturð framan við hljóðnemana.
Þessari upptöku má þakka samtökunum Vinum Vatnajökuls sem gerðu það kleift að af þessari upptökuferð gat orðið.
Mælt er með því að hlusta á þessa upptöku í góðum heyrnartólum og á miðlungs lágum hljóðstyrk.

 Download mp3 file (192kbps / 41.1Mb)

Recorder: Sound Devices 744
Mics: Rode NT1a (NOS)
Pix: Canon EOS-M
Recording location: 65.998393, -16.513573
Weather: Cloudy, about 5°C. Calm, light gust

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IMG_7404 (1400x933)

It was early morning 20th of May 2014, when I and my friend arrive in to the campsite in Skaftafell national park, after almost five hours drive from Reykjavik.
There was just several tents on the campsite so we could easily find a quiet place in distance from other tents. I placed the microphones 30 meters from the tent, started recording and fell asleep.
The following 25 minutes long recording is what happened next. It is nice soundscape of early spring in Iceland without noise from human activity.
Many bird species are audible in this recording. Common snipe, Whimbrell, Red-tailed Godwit, Common Redshank, European Golden Plover, European, Oystercatcher, Whooper Swan, Redwing, Meadow Pipit and Rock Ptarmigan. There are probably many other bird species audible in this recording which I have not a clue the names on.
The recording this morning was about 6 hours long so I will probably continue to publish more of it later one.
Thanks to the Friends of Vatnajokull who made this rercording trip possible.
Quality headphones are recommended while listening at low level.

Vor í Skaftafelli 2014

Það voru nokkuð þreyttir menn sem mættu á tjaldsvæðið í Skaftafelli rétt fyrir kl 4 að nóttu þann 20. maí 2014.
Fáir voru á svæðinu svo það var auðvelt að finna stað fyrir tjaldið. Áður en gengið var til náða voru hljóðnemar settir upp 30 metrum frá tjaldinu og upptaka látin ganga langt fram undir morgun.
Sú 25 mínútu langa upptaka sem hér fylgir hefst u.þ.b. 20 mínútum eftir að við vorum sofnaðir.
Á upptökunni má heyra í mörgum fuglategundum, þar á meðal í hrossagauk, spóa, skógarþresti, rjúpu, og álft sem og mörgum öðrum sem ég ætla að leyfa hlustendum um að þekkja og skrifa nöfnin á í ummælum hér fyrir neðan.
Þessari upptöku má þakka samtökunum Vinum Vatnajökuls sem gerðu það kleift að af þessari upptökuferð gat orðið.
Mælt er með því að hlusta á þessa upptöku í góðum heyrnartólum og á lágum hljóðstyrk.

Download mp3 file (192kbps / 32,6Mb)

Recorder: Sound devices 744
Mics: Rode NT1a (NOS)
Pix: Canon EOSM
Rec. Location: 64.016466, -16.973356

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In 27th July I decided to cycle with recording gear out of Reykjavik. It was late in the evening when I left my house. Just after I left the street lights, I cycled into dark, wet fog.
I was both whet and cold when I passed the fog on the highest peak of the road in the mountain Hengill.
I waited there almost for two hours in a very calm weather, just to enjoy the prospect. Noise from nearby hydroelectric plant filled the air with a powerful rumbling noise. Below, all around me, was this thick fog and a clear sky above.
I was getting tired when I saw the sun rice above the horizon around 4 am.  After several photo shots I decided to find a place to sleep and feed my recorder with “early morning summer sound”.
On my way, was a place named Hagavik, a very nice cove in the southwest of Þingvallavatn lake. When I arrived, the fog was still very thick. I spread out my bivi sack on a place I remembered I put up my tent for about 35 years ago, when this place was not so popular. It was now a filthy motorist parking and fish hunting place. But, just as in the past, the soundscape was glorious.
Two MKH20 was placed close to the lake and I went to sleep 10 meters away.
The time was about 5:40 in the morning and the atmosphere was very quiet in the fog when the recording start.

Hagavík við Þingvallavatn. 1. hluti

Þann 27. júlí nýtti ég síðustu daga sumarfrísins til að hjóla með upptökutækin austur fyrir fjall. Við Hagavík fann ég mér náttstað snemma morguns. Hljóðnemana setti ég við fjöruborðið en lagðust sjálfur í Bivi poka á grasbala sem var illa troðin eftir marga bíla. Veiðisóðar höfðu greinilega verið þarna á ferð því úldin beita, sígarettustubbar og annað rusl lá þar um allt. En hljóðmyndin og kyrrðin var dásamleg eins og vanalega, alveg þangað til bílaumferðin fór að aukast síðar um morguninn.

  Download mp3 file (192kbps / 35,2Mb)

Recorder: Sound Devices 788
Mics: Sennheiser MKH20. AB40 setup
Pics: EOS M (see picture from this bicycle trip)

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