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Posts Tagged ‘Birds’

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Early last spring I was asked if I wanted to record a 24-hour long recording for Radio Art Zone.
It wasn’t a problem because I’m used to recording 8-14 hours of content whenever I can.
So I made two / three 24hrs recordings in total.  All recorded in similar locations on the 23rd-25th. April 2022 in the countryside.
I recorded on four channels with an IRT cross version and in two other locations with two channels in AB & NOS.
If I remember correctly, I sent the IRT recording to Radio art project. The AB recording is already audible on this soundblog, „The brook below Lambaklettur
The NOS recording was forgotten, until I found it last week.
It was recorded with Rode NT1 microphones and a Zoom F3 recorder.
This recording contains natural „silence“. When I talk about „silence“ I mean that most people would not hear anything with bare ears. Probably only the blood flow in their own body.
But it was not total silence when this recording started here below. The migratory birds had already started to flock to the country. It was also a drizzly rain and therefore quite humid all night while the recording took place. The fur on the windshield got quite wet and you can hear larger drops falling on the wind shield, on the tripod and on the ground around.
This recording starts around the time when birds start to be heard in the early morning. The windshield is already very wet, so it must have adversely affected the recording quality. But surprisingly it is not heard that the NT1 is cracking due to air humidity.
The Zoom F3 had gain set at „256“ and HPF at 40Hz. I’m used to recording with 47 to 50dB gain for such silent recordings. Gain „256“ is therefore not telling me anything, but having worked on this recording, 256 seems to be something similar to 50 to 55 dB gain. This actually needs further consideration because It can be an important issue. The reason why I don’t record with a gain higher than 50dB on the Sound Devices or Sonosax recorders is to prevent additional „amplify noise“ that I feel increases if the gain is over +50dB. It is therefore  always better to increase the gain digitally“ in post.
I have a hard time realizing this with the F3 device. The noise seems to go hand in hand with different gain. No matter what the gain is. Whether I should generally record with „256“ gain or „128“, when recording quiet soundscapes needs further testing. I find the noise a bit more in this recording than if I had recorded with the Sonosax for example, but that noise I hear and see on spectrograms could also be a sound from the drizzle, or raindrops when they fall to the ground. It can therefore be assumed that there is some natural noise in that recording. Therefore it is not entirely possible to blame F3 or NT1 for all the noise that can be heard.
The first sound file is over 30 minutes long which has got a gentle noise reduction and then below 5 minutes of original recording for comparison (without NR). Both recordings are normalized up to -10dB. The original files from the recorder had a -38dB peak value which is normal for „quiet“ recording like this.
Bird species in this recording is mainly common snipe, whooper swan, black tailed godwit, redwings, whimbrel, golden plover and eurasian wigeon.  Most of them are in the distance in this recording.
I will post the continuation of this recording later. Then the number of birds increases and they come closer to the microphones.
Quality open headphones are recommended while listening at low volume.
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  (mp3 256kbps / 62Mb)

Original recording from Zoom F3, only normalized up to -10dB & downgrade to mp3

  (mp3  256kbps / 9,4Mb)

Recorder: Zoom F3
Mics: Rode NT1 (NOS)
Pics: Canon EOS R

Location:  64.673258, -21.630001
Weather: Drizzle rain, about 4°C

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This recording is actually recorded in a „natural silence“, far away from traffic in open landscape, which can be said to be my area of interest. But the weather, as so often before, was no way to work with me. Windy and wet which means I was not able to record the „depth in the field“ that can often be heard through good recordings, recorded in calm, dry weather.
There is no doubt when I say that 95% of all the recordings I record in Icelandic nature sounds like this. Therefore, it is also wrong not to report it with examples.
Here is one. The location is the highland at Arnarvatnsheiði, northwest Iceland near a place called Hæðarsporður
I had to find a sheltered place close to the ground to protect the microphones as much as possible from wind and rain. Close to the ground isn’t a good position for microphones, but often only way to record something for a days or a weeks
While Rode NT1 is a cardioid I couldn’t find an ideal location, so it is not a good balance between right and left channels. Right channel has noise from the Norðlingafljót river just over a km away, as well as there is less bird life on the left side
The result is as it is.
This is a part of a ten hours long overnight recording. During the night the windshield gets very wet, so one of the reasons why this recording sounds a bit „dull“.
The soundscape was quiet as usual on the Icelandic highland. It was almost impossible to hear anything except wind noise. The recorder was at +50 db gain on SD788. In post the gain was increased by about +25db (up to -7db). RX noise reduction was not used. Wind noise was decreased below 100Hz with EQ, also NT1´s white noise was lowered above 10Khz about -3db,  and -6db at 15khz.  Normally it does not harm the recording while bird songs which have the highest frequency range in Icelandic nature are mostly below 7Khz.
Quality open headphones are recommended while listening at low volume
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  (mp3 256kbps / 55,8Mb)

Recorder: Sound Devices 788
Mics: Rode NT1 (NOS 90°/30cm)
Pix: Canon EOS-R

Weather: Windy up to 8m/sec, drizzle rain, foggy & 5°C
Location: 64.854845, -20.545331

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I always miss those times in the last century when I rode on a bicycle alone for weeks in the highlands. I knew every single road and trail that could be found on maps, and other routes too. I had a special ability to look at maps and make detailed travel plans based on route conditions and weather forecasts. I knew very well my physical limitations and all the places where I could seek from bad weather. Therefore I never had any problems in my travels.
Without meeting people or seeing human structure, nature and I merged into one. The journeys were therefore both mentally and physically rejuvenation.
After the year 2002, cars and traffic began to increase rapidly in Iceland. Mountain huts that used to be shelters were now closed. Many emergency huts were removed due to poor handling. It became increasingly difficult to travel without being disturbed by noisy humans and without shelter in remote locations.
One of these very few emergency huts that still exist and are open and have saved many lives is on a Kaldidalur route. For me this hut was often a first overnight stop from Reyakjavík on the way to cross the highland.
I was in Kaldidalur 28th of May 2017 to record the surroundings. I decided to record beside the hut to record a familiar sound.
This is a typical soundscape for Icelandic highland. Birds in the distance and windy and if not windy and rainy then complete silence.
Inside the hut was normally the same sound but more silent, except if there was buzzing fly in the window.
Even though it is many years since this soundscape was part of my daily experience, I get an undeniable nostalgia for the past for listening to this recording
Quality open headphones are recommended while listening at mid or low level.
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  (mp3 256Kbps / 63,7Mb)

Recorder: Sound Devices 744T
Mics: Rode NT1 NOS
Pix: Canon EOS-M

Location: 64.447652, -20.961026
Weather. Cloudy, 4-10m/sec, drizzle rain. 5°C

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Hjörleifshöfði is a 221 m-high inselberg in southern Iceland. It consists of palagonite. The mountain is located on the Mýrdalssandur outwash plain about 15 km east of the village Vík í Mýrdal, and was an island in the Atlantic Ocean several centuries ago (More info: Wikipedia).
I have very often visited this mountain, both those years when I was used to travel by bike in Iceland and now resent years when I am on my field recording trips.
But in recent years, mainly because of tourist traffic, it has not been so pleasant to stay there overnight to enjoy the natural soundscape, which can be a very different on each side of the mountain.
Thanks to COVID I got the opportunity on the 21st of June 2021 to record the soundscape on the west side without traffic noise from the main road, motor vehicles or tourists around me.
Even without traffic noise it has always been difficult to record this place because of the surf along the coast line which makes constant rumble in the background.
I arrived just before midnight. It was foggy but bright. This was last night before the summer solstice.
The weather forecast told me I would have more wind and even rain later in the morning so I quickly prepared the recording gear. I use the Kayak trailer behind the car to make a shelter from the breeze from the south and point the microphones toward the north in the middle of a big lupine field.
Most birds were mostly in the distance. But what makes the soundscape actually so interesting in this place is the redwing songs. They start their songs or themes differently from what I have heard in other places in Iceland. There are other places in Iceland where I have noticed this difference and it seems like it is somehow connected to places where lupine grows. These songs are also different between these „lupine locations“ e.g. Bæjarstaðarskógur in Skaftafell national park, while redwing songs sound pretty similar all over the country.
I have not investigated this in detail, but I have noticed this by listening to recordings from these locations and comparing them in spectrograms. What I need to do next is film them singing in these places to be sure I am actually listening to redwings (which is though 98% clear in my mind). Other things which make this a little bit difficult is the fact that not all birds sound similar in these locations so it is necessary to collect „closeup songs“ in good sound quality from several redwings to work with and investigate.
This is not my best quality recording, but it is almost impossible to record this place without traffic or surf noise. So I was just lucky to get this one.
Quality open headphones are recommended while listening at mid or low level
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(mp3 256kbps / 60Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040.  (Parallel AB) 
Pix: Canon EOS R

Location: 63.424336, -18.763861
Weather: Calm to breeze. Foggy, around 10 °C

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I recently noticed the best tripod I can get to avoid high levels of „mechanical wind noise“ in recordings. It is simply a hummock. I have many times recorded nature sound by leaving omni mics on the ground. But it has not been as simple for cardioid mics because it changes the EQ on the frequency range, especially when the mics are in the windshield.
Here below is a recording I did in Flói bird reserve in south Iceland. The average wind was probably around 4-5m/sec with some gust up to 5-7m/sec. The high pass filter was at 40Hz so mechanical wind noise should be with a typical tripod clearly audible at 3m/sec.
Keep in mind this is a recording of silence. It was barely nothing audible while this was recorded
It was recorded with 48dB gain and in post the gain was increased again about 27dB.
Most of the background noise is the surf on the south coast which is very noisy. The wind is almost constantly wiping the ground and airplanes make a rumble noise for many minutes. You will also hear wind noise but far less than it would have been with a typical tripod. 
One of the reasons I think it is so effective to put the rig on the ground, is mainly because the LCT540s is a heavy mic. So while the windshield lay so heavily on the ground, the ground works like a damper for all vibration on the windshield which therefore make less „mechanical wind noise“
Most bird species are in distance so this is not a very attractive recording. But many things are going on in this wide open space in south Iceland and it is always interesting to listen to soundscape which is too quiet for most human ear.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

(mp3 256kbps / 60Mb)
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Recorder: Sound devices MixPre6
Mics: Lewitt LCT540s IRTcross setup
Pix: Canon EOS R
Location: 63.901024, -21.192173
Weather: cloudy, calm up to 7m/sec, around 12°C

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One year ago I was recording in Skaftafell national park and neighborhood in southeast of Iceland. One of my favorite recording place in this area is not exactly in the park, but on Skeiðarársandur, a huge broad sandy wasteland along Iceland’s south-eastern coast, between the Vatnajökull icecap and the sea.
One of the reason I love this place is the silence. There is almost „nothing“. Just the sand. In the horizon far away is the glacier Vatnajökull on the one side, and on the other side just the sky. The only thing that disturbs this silence is traffic or the wind. So when it is calm during the night and traffic is down it is possible to listen deep into this amazing open space. There is not much life. There is probably only Rock Ptarmigan that lives there all year around. Other species are migrants during the summertime so it is easy to say, Rock Ptarmigan is the residents of silence.
This recording is a recording of silence. Most people will not hear anything in this circumstances, probably only its own heartbeat and notice „they have“ tinnitus. But with best equipment is it possible to listen deeper into this quiet place.
You will hear some birds and insects. With good headphones you will hear the rumble sound of heavy surf on the beach 20 to 30 km far away.
BUT this recording is not completely quiet. So be careful while listening. Two birds, a male and female Rock Ptarmigan, are coming very close, „talking“ loud into your ears (2:05).
It is also worth to listen to another earlier recording from this place. „Stories from Skeiðarársandur„.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

(256kbps / 61Mb)

Recorder: Sound devices 788
Mics: Sennheiser MKH20 (AB40 +5° outward)
Weather: Calm, cloudy, +5°C
Location: 63.969892, -17.160072

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I have published many times recordings from the Nature Reserve Flói in southwest Iceland, so I will not introduce that area again.
During the years I remember couple of times when curious sheeps have disturbed the recording. This is one of them.
This peace is a 30 minutes of nine hour overnight recording. It was recorded between 7 and 8 o´clock in the morning 25th of July 2015.
The recording is not only disturbed by the sheeps, it is also highly disturbed by tourist traffic, especially in the air. Jets are arriving and leaving the country and smaller planes in sightseeing so this peaceful area is not especially quite this time.
Quality open headphones are recommended while listening at medium level.

(256kbps / 57,2Mb)

Recorder: Sound devices 788
Mics: RodeNT1 (NOS) & MKH20 (AB40) as close together as possible
Pix: Canon EOSM
Location: 63.901026, -21.192189
Weather: Calm, cloudy, around 11°C

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Bæjarstaðaskógur (Farmsted forest) is a small forest in the east of Iceland, in Morsárdalur, in Skaftafell national park.
Morsárdalur, is a wide valley blanketed with woodland, contains multicolored rhyolite formations at Kjós valley, and the outlet glacier Morsárjökull with its creaking icefalls.
The forest’s name, Bæjarstaðaskógur, suggests that it used to be a farmstead during the Middle Ages and the ruins were quite visible until the 18th century.
Bæjarstaðaskógur is a beautiful oasis in the vast spread of sand. This 30 hectare forest is the most robust birch forest in Iceland, its birches can reaching 12 meters height. There are also Island’s straightest birches and the most precious. Bæjarstaðaskógur also has rowans and the most beautiful display of Icelandic wildflowers.
I have noticed that Redwing songs in this area is very different from other normal Redwing songs, even for whole Iceland. This Redwings stay in a small area, from the west side of the river Morsá to Bæjarstaðarskógur. Their song start with three or two falling pitch tone, always the same, before they start to sing in full blast.
If you are trained listener you will hear this Redwing song in this recording.
This is a 28 minutes part of seven hours long overnight recording. This part was recorded at 30th of May 2016, between 6 and 7 AM. About one minute after the recording start you will hear high rumbling sound from Morsárjökull glacier and with quality headphones you should hear rumbling sound many times. The mid range ambient noise is mostly rivers in mountains all around and Morsá in the valley. The white noise is a mic noise
This is a highly amplified recording. Recorded with MKH20 & NT1a, very close to each other at 52dB and then amplified again +30dB, so the sound is rather „flat“.
Quality open headphones are though recommended while listening at low level.

(256kbps / 54Mb)

Recorder: Sound Devices 788
Mics. Rode NT1a (NOS) & Senmnheiser MKH20 (AB40)
Pix: Canon EOS-M
Location: 64.059604, -17.026755
Weather: Mostly clear sky, calm, temp. around 2°C

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I am used to feed birds daily in my garden with all kinds of leftovers.
There are always some birds that watch my garden every day, and when they see me in the garden, some starling give a high pitch signal and some of them fly away. But shortly after that they come back with a flock of other birds, normally common starlings and redwings. Some birds like one blackbird and some redwings are now extra gentle around me while I prepare the food in the garden.
Christmas day, 25th of December 2016, was just like another „feeding day“. But it was snowing, so the traffic noise wash less than usual and therefore a perfect day to record a birds activity.
This recording starts slowly. Just few birds have arrived when the recording starts. But in the end the birds have eaten almost everything and they start singing, packed in the trees all a around my house.

(224kbps / 48Mb)

Recorder: Sound devices 788
Mics: Rode NT1a in Rycote Cyclone (AB50 setup)
Pix: GoPro Hero3
Weather: Cloudy, light breeze, snowing and -3°C

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An outwash plain, also called a sandur is a plain formed of glacial sediments deposited by meltwater outwash at the terminus of a glacier. As it flows, the glacier grinds the underlying rock surface and carries the debris along. The meltwater at the snout of the glacier deposits its load of sediment over the outwash plain, with larger boulders being deposited near the terminal morraine, and smaller particles travelling further before being deposited. Sandurs are common in Iceland where geothermal activity accelerates the melting of ice flows and the deposition of sediment by meltwater.
The original sandur from which the general name is derived is Skeiðarársandur, a broad sandy wasteland along Iceland’s south-eastern coast, between the Vatnajökull icecap and the sea. Skeiðarársandur is the largest sandur in the world, covering an area of 1,300 km2 (500 sq mi). Volcanic eruptions under the icecap have given rise to many large glacial bursts (jökulhlaups in Icelandic), most recently in 1996, when the Ring Road was washed away (minor floods have also occurred since then). This road, which encircles Iceland and was completed in 1974, has since been repaired. The 1996 jökulhlaup was caused by the eruption of the Grímsvötn volcano, with peak flow estimated to be 50,000 m3/s (1,800,000 cu ft/s) compared to the normal summer peak flow of 200 to 400 m3/s (7,100–14,100 cu ft/s). Net deposition of sediment was estimated to be 12,800,000 m3 (450,000,000 cu ft).
The main braided channels of Skeiðarársandur are the Gígjukvísl and Skeiðará rivers, which incurred net gains of 29 and 24 cm (11.4 and 9.4 in) respectively during the 1996 jökulhlaup. In the Gígjukvísl there was massive sediment deposition of up to 12 m (39 ft), which occurred closest to the terminus of the glacier. The erosional patterns of Skeiðarársandur can be seen by looking at the centimeter-scale elevation differences measured with repeat-pass laser altimetry (LIDAR) flown in 1996 (pre-flood), 1997, and 2001. Of the overall deposition during the 1996 jökulhlaup, nearly half of the net gain had been eroded 4 years after the flood. These two rivers on the sandur display drastically different erosional patterns. The difference in sediment erosion can be attributed to the 2 km (1.2 mi) wide trench near the terminus where the Gígjukvísl flows, in contrast with the Skeiðará, which has braided flows directly onto the outwash plain. The Gígjukvísl river is where some of the highest level of sediment deposit occurred and also where the largest erosion happened afterward. This indicates that these massive jökulhlaup deposits may have a large geomorphic impact in the short term, but the net change on the surface relief could be minimal after a couple years to a decade. (*Wikipedia)
This recording is just 23 minutes of 1o hours long overnight recording. It is very quiet and highly amplified. The microphones are unexpected located near to Northern Wheatear´s nest which is between stones in old ruins in the middle of Skeiðarársandur. You can hear wing flaps and some kind of a conversation between the birds and the youngsters. The birds sounds a little bit out of phase but that could be either because the bird is mostly behind the microphones, or the stone wall, or because the fury windshield was still soaking wet after heavy rain one hour earlier.
At 1:35 min a thunderous boom sounds from glacier in distance. During the recording the weather changed from calm to be windy.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

Sögur af Skeiðarársandi 1. hluti

Hér er á ferðinni rúmlega 20 mínútna löng upptaka sem er partur af 10 klst langri næturupptöku frá því 29. maí 2016 á Skeiðarársandi. Á sandinum svo til miðjum er hlaðin rúst sem líklega hefur gengt því hlutverki að vera fjárrétt áður en árnar á sandinum voru brúaðar. Í upptökunni má heyra að í vegghleðsluni er hreiður Steindepils. Hann pirrar sig eitthvað á óboðnum gesti þessa nótt, hljóðnemunum, en virðist svo líka eiga einhver samskipti við unga sína með lágværu tísti eða muldri. Heyra má að á þessum rúmu 20 mínútum að veðrið breytist frá því að vera logn yfir í rok.
Mælt er með því að hlusta á upptökuna í góðum opnum heyrnartólum og á miðlungs- lágum hljóðstyrk.

(256kbps / 43Mb)

Recorder: Sound Devices 788
Mics: Sennheiser MKH20 (AB40)
Pix: Canon EOS-M
Weather & time: Clam and windy, Drissle rain, at 2AM
Location: 63.969892, -17.160032

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