Wind is very often the recordist´s enemy. Especially if the rumbling noise of „hammering membrane“ is not acceptable.
Some recordists may say this rumbling noise is just normal. Everyone will hear similar rumbling noise when they stay in wind.
For me it sounds like „clipping distortion“.
Wind protection is one of the most important thing for nature recordings, especially in the country where wind below 3m/sec. is almost unique.
I have tried several wind protections. My own, Rode Blimp and Rycote Softie and Modular series. All of them sounds similar. So it was welcomed when Rycote introduced the Cyclone windshield. Cyclone have Floating Basket Suspension, which is very nice. Until now, it has been only be used in the overpriced Cinela products.
Rode NT1a is one of the best cardioid microphones available today for nature recording. But sadly it is not build for outdoor use, so it has some poor futures like handling noise.
So when I choose it on the field, it has been important to keep it in Rycote modular windshield, place it close to the ground (sadly very often too close) and pray for completely calm weather. Then pray again for nice outcome.
I per-order a pair of Cyclone mini windshield last summer and got it in mid September. My plan was to fix them with parallel MKH20/40. But I also gave my modified NT1a a try when I saw it was almost „plug and play“ to fix it .
Without fur Cyclone was not far from to be equal to Rycote modular series with fur. But when Cyclone was dressed in fur the rumbling noise almost disappeared in wind around 5-7 m/s. That was a huge success.
Following recording is a short part of overnight recording from Stafholtstungur, in the west of Iceland. The gust goes up to ca. 7m/sec. and the recorder HPF was set at 80Hz. The rig is about 1 meter above the ground.
Some rumble noise is audible in this recording, but some of it could as well be a vibration from the tripod. Keep it in mind this is NT1a which is particularly sensitive for handling noise.
I will spend more time to test this setup but it looks like I need to order another pair for my MKH20/40 rig.
Quality open headphones are recommended while listening at low to mid level.
Hjalteyri is a small village on the western shores of Eyjafjörður, fjord in north of Iceland.
It all began when the Norwegians started salting herring around 1880 and the village Hjalteyri was confirmed by law as a trading post in 1897. Swedes, Scots and Germans would fish there in the following years but all foreigners had left by 1914.
The Icelandic fishing company Kveldulfur was active there from 1914 and in 1937 built the largest herring factory in Europe at Hjalteyri, which ran until 1966. The company also built many of the beautiful residential buildings that still stand in the village, such as the house of Thor Jensen, the founder of the company, and Asgardur, where the head of the factory lived.
The herring disappeared from the fishing grounds in the 1960s and Kveldulfur thus left as well. Fishing from small boats increased. Today, at Hjalteyri is a harbor and a small fishing industry, the drying of fish heads and aquaculture are the mainstay of the economy. During the summer months the buildings of the old herring factory are often used as a venue for art exhibitions. Around 40 people lives there today. There is also a pretty big Arctic Tern colony which brings also many other bird species to the area.
The following recording was captured in 8th of July 2015. It is 25 minutes of 6 hours long overnight recording.
This is one of my recording where I probably should have used another microphones because of the noise source in the surrounding. In this case a „fan noise“ from the factory. I use cardioid mics so the noise is only on the left side, instead of omni which would have brought the noise more to both sides and made the listening more pleasant in headphones.
So now I would recommend to listen to this recording in speakers in low-mid level, instead of headphones.
(256kbps / 46Mb)
Recorder: Sound devices 744
Mics: Rode NT1a in NOS setup
Location: 65.853976, -18.194666
Weather: Calm up to 4m N, almost clear sky, temp around 8-12°C
I think I don‘t need to present the nature reserve in Flói in many words. It is a wetland / moors in south of Iceland. I have already published in this blog several hours of „Flói recordings“.
Last spring was cold, wet and windy so I did not spend much time there. But in June, I stayed there for two nights while I recorded several hours of recordings during the nights.
As usual I fell in to sleep in the field during that time, so I did not know what I was recording. Last week when I was searching trough the recordings, I noticed some interesting moments.
At 14th of June the overnight weather forecast was nice and I started to record at midnight. Between 2 and 5 in the morning the wind went down so the field got „quieter“ for far distance sound waves.
I put up Rode NT1 in NOS in the same place as usual and pointed them to north. The soundscape is always spectacular in this place.
This soundscape is probably not what everyone would hear by bear ears. The recording is highly amplified. In this circumstances and Rode NT1, I normally adjust the gain on the recorder between 54-58dB. In this particular recording the gain is increased again in post about +24 dB so the peak level in one moment (at 13:16) reach 0dBf.
Many bird species are audible in this recording like Red throat Diver, Common Snipe, Golden Plover, Dunlin, Whimbrel, Gull, Arctic Tern, Northern Wheatear, Greylag Goose, Whooper Svan, Meadow Pipit and other bird species I have forgotten, or can’t name. Other audible animals like horses and sheep’s are there too.
Background noise is mostly from the Atlantic ocean’s waves along the south coast behind the mics. Then as usual, traffic noise and sometimes a party music somewhere in the county.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.
Flói 2015. 1. Hluti
Hér er á ferðinni upptaka úr friðlandinu í Flóa frá því á laugardagskvöldi og sunnudagsmorgni 14. júní 2015. Eins og fyrri upptökur úr Flóa sem finna má hér á síðunni eru hljóðnemarnir ávallt staðsettir á sama stað við sömu tjörn norðan við fuglaskoðunarhúsið.
Í upptökunni má heyra í ýmsum fuglategundum. Má þar nefna lóm, hrossagauk, heiðlóu, lóuþræl, spóa, máfa, kríu, steindepli, grágæs, álft og þúfutitling. Þá heyrist lika í hestum og kindum.
Bakgrunnssuð er einkum brim meðfram Suðurströndinni og einkum við Ölfusárósa. Svo berst hávaði frá bílum og partítónlist einhvers staðar í sveitinni.
Mælt er með því að hlusta á upptökuna í góðum opnum heyrnartólum og á miðlungs- lágum hljóðstyrk.
It is easy to go in to a special mood when I think of the Icelandic highland and all the fabulous moments I have experienced there twenty to thirty years ago.
This quiet black desert gives me always a wonderful feeling. Just like I am in love.
Endless fields of weather beaten black and gray gravel, with a soundscape of wind and water, or just a real silence.
River sources and oases are there in many places. This water sources have very often some life. If not just a thin layer of sensitive moss, then grassland with birds, insects and even mammals.
Sadly, many of these wonderful quiet places have been under a threat by humans activity last decades, so they are not anymore this magic places as they were for a lonely cyclist more than twenty years ago. Some of them has been totally destroyed, like huge area in the east highland, like Vesturöræfi
For that reason I will not inform where the following recording was made. I just like to say, it was recorded in the highland in one of my „hidden places“ that still exists and has not been destroyed with hydro power plant, tourists, offroad driving motorist, or human waste.
This recording is very quiet. It contains a dunlin, howling arctic fox, europian golden plover, red necked phalarope and pink footed goose.
The background noise is a waterflow from nearby water source.
This was recorded 17th of July 2015 around two o´clock in the morning.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level .
Það verður að viðurkennast að á þeim árum sem ég ferðaðist sem mest um landið á reiðhjóli, var ég ekki oft var við tófu, hvað þá að heyra í þeim. Eftir að hætt var að greiða mönnum fyrir skott hafa tófuveiðar svo til lagst af. Tófu er því að fjölga og það líklega um allt land því ég er farinn að sjá hana oftar og heyra.
Það gerðist svo í sumar að ég náði að hljóðrita tófuvæl á hálendinu á einum af mínum leyndu eftirlætis dvalarstöðum frá fyrri tíð.
Í upptökunni hér fyrir neðan má heyra í tófu á 5. mínútu. Hún er því miður í talsverðri fjarlægð enda kannski ekki furða með mann í næsta nágrenni. Þótt þetta sé ákaflega þögul upptaka heyrist líka í lóuþræl, heiðlóu og grágæs, sem og óðinshönum í návígi á 18. mínútu.
The 10th of July 2015 I visited Ásbyrgi national park, in the north east Iceland.
I arrived around 9 pm. The weather was rather cold, with light drizzle rain. However there was a sport game on the old camp side held by the local community. Calls, yell and sheers from audience sounded fantastic in the echo from the surrounding cliffs. Mixed with the birdsong from the forest and the cliffs above it sounded like I was in another world.
I found a good place to record this amazing soundscape.
Soon I noticed a boring noise in the background from petrol power generator so the recording was shorter than I hoped .
When I came back to the car park the sport game was finished and the people were leaving the place. I heard someone in the crowd playing on Mbira thump piano. It came from female in traditional dress. Her instrument sounded nice in this place, so I enjoyed listening while I was packing my gear in the car.
Some Icelandic male in the crowd called after her: ‘Where are you from?“
„I am from everywhere“ she repleted.
Funny answer, I thought and started to listen to the conversations. Why not record her while she was playing?
She gave me a permission, so we took a walk to Botnstjörn pound in the bottom of Ásbyrgi.
Her name is Jessica Rose, with nickname Fairy.
I did not dare to ask her about her nationality, but her English was from the west, maybe from Canada, or north east USA. She was traveling in Iceland with her sister and two friends.
Fairy in Ásbyrgi
Um miðjan júlí 2015 kom ég við í Ásbyrgi. Ég hafði gefið mér nægan tíma þar árið áður svo ég ætlaði ekki að að eyða þar miklum tíma heldur fara á aðra staði í þjóðgarðinum sem ég hafði „hljóðstað“ á.
Ég kom á bílastæðið í botni Ásbyrgis um kl. 21. Á gamla tjaldsvæðinu stóð yfir íþróttamót. Það var því óvenju mikið af bílum og fólki á svæðinu. Hvattningarköll áhorfenda bergmáluðu sérkennilega milli klettanna í bland við fuglasöng úr skóginum og fýlahjal ofan úr klettunum. Ég rauk því til og fann mér upptökkustað. En það leið ekki á löngu að suð frá bensínrafstöð á keppnissvæðinu fór að pirra mig. Upptakan var því styttri en til stóð.
Þegar á bílastæðið var komið var fólk að streyma af mótssvæðinu. Heyri ég þá að einhver spilar á þumalpiano sem hljómaði skemmtilega á þessum stað. Var þar á ferð dama að nafni Jessica Rose sem vildi láta kalla sig Fairy. Var hún þarna í félagsskap með systur sinni og tveimur öðrum vinum á ferð um landið.
Ég stóst ekki mátið. Ég fékk leyfi hjá henni til að taka tónlist hennar upp og var það gert á pallinum við Botnstjörn.
Nothing is closer to a perfect experience as being alone in the wilderness, as far from any machines or human activity as you can. And when it is in cold or high altitude with no, or very quiet animal spices, your sense of organ, automatically starts to detect many things you may have never noticed before.
This is one of the things that make field recording in quiet environment so exciting. When you ignore the noise in your head and start to use all your senses, you suddenly noticed another level of sonic world. As a former touring cyclist I spent many weeks every year on the Icelandic highland. I was mostly alone so I got a great opportunity to listen deeply to this quiet soundscape.
Most of this soundscape is just a sound of wind and water and sometimes birds, sheep and gnats in distance.
Following recording contains this typical Icelandic highland soundscape as I remember it. It is so quiet that even the best modern recording equipment can barely capture it and lot of people would not hear anything in such places.
This recording sounds really nice in full quality, but as in mp3 format I am not sure if it interest online listener. Most PC soundcards and headphones do not have the sufficient quality to make it interesting. But anyway it is now online. This is, by the way, my favorite recording material.
The recording was captured between 8 and 9 am 26th of June 2014 in Vesturöræfi moorland, a huge open landscape east of Iceland in 600-800m above sea level. It was “early spring” so there was still a huge of snow.
The beat, or ticking sound, is a drops falling of strew down about 1cm in a small puddle (the picture above).
Some of the pink noise in the background is coming from the waves on the lake “Hálslón” (behind the microphones) and other flowing water in the area, so it is not only amplified noise or mic noise.
Audible birds are mostly Dunlin and in distance Golden Plover, Whimbrel and Northern Wheatear.
Thanks to the Friends of Vatnajokull who made this recording trip possible.
Quality headphones are recommended while listening at low level.
Droparnir falla á Vesturöræfum
Hér er á ferðinni upptaka frá Vesturöræfum vestan Snæfells. Þögnin var alger en þó mátti heyra í einstaka fugli. Það var tilvijun ein sem réði því að af þessari upptöku varð. Ég rölti um volteldissvæði nærri Klapparlæk rétt ofan við flóðlínu Hálslóns. Ég rak þá augun í vatnsdropa sem láku af strái í gríð og erg í lítinn poll þar sem þeir flutu og köstuðust til á vatnsfletinum í skamma stund.
Við að leggjast á fjórar fætur þá mátti greina taktfast ,,tikk” hljóð sem ég hlóðritaði í um klukkutíma.
Afraksturinn var að hluta til upptakan sem hér má heyra.
Fuglin sem helst heyrist í er lóuþræll, en í bakgrunni má heyra í lóu, spóa og steindepli.
Bakgrunnssuð er að hluta til frá öldugangi í Hálslóni og seitlandi leysingavatni í nágrenninu því enn var mikill snjór var á svæðinu þó kominn væri 26. júní.
Ekki er víst að allir geti notið þessarar upptöku þar sem hún þarf helst að hljóma í fullum upptökugæðum og góðum tækjum. En hér þó á ferðinni það upptökuefni sem heillar mig mest, það er það sem flestir mundu kalla ,,þögn”.
Þessari upptöku má þakka samtökunum Vinum Vatnajökuls sem gerðu það kleift að af þessari upptökuferð gat orðið.
Mælt er með því að hlusta á þessa upptöku í góðum heyrnartólum og á lágum hljóðstyrk.
Ásbyrgi was most likely formed by catastrophic glacial flooding of the river Jökulsá á Fjöllum after the last Ice Age, first 8-10,000 years ago, and then again some 3,000 years ago. The river has since changed its course and now runs about 2 km to the east. The legend explains the unusual shape of the canyon differently. Nicknamed Sleipnir’s footprint, it is said that the canyon was formed when Odin’s eight-legged horse, Sleipnir, touched one of its feet to the ground. Legend also relates that the canyon is the capital city of the „hidden people“ (huldufólk), who live in cracks within the surrounding cliffs.
The area is covered in woodland consisting mainly of birch, willow and mountain ash. Several thousand recently planted pines also prospers.
At its innermost end lies Botnstjörn, a small pond surrounded by luxuriant vegetation. The pond is a home to a variety of waterfowl species like Wigeon and Red-necked Phalarope. Arctic Fulmar nest is on the steep cliffs, while many other birds prefer the woods and meadows.
The recording was made around two am the sixth of June 2014.
Thanks to the Friends of Vatnajokull who made this recording trip to Ásbyrgi possible.
Quality headphones are recommended while listening at medium-low level.
Botnstjörn í Ásbygi
Hér er á ferðinni næturupptaka sem gerð var kl 2 eftir miðnætti á útsýnispallinum við Botnsjörn í Ásbyrgi þann 6. júní 2014.
Á upptökunni er helst að heyra í fýl ofan úr bjarginu, rauðhöfðaönd á tjörninni og nokkrum öðrum fuglategundum s.s. músarindli og skógarþresti innan úr skóginum. Þá steypist lítil lækjarspræna ofan af klettinum ofan í grjóturð framan við hljóðnemana.
Þessari upptöku má þakka samtökunum Vinum Vatnajökuls sem gerðu það kleift að af þessari upptökuferð gat orðið.
Mælt er með því að hlusta á þessa upptöku í góðum heyrnartólum og á miðlungs lágum hljóðstyrk.