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Posts Tagged ‘Sound Devices 788’

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Recording fireworks is probably like photographing a sunset for a photographer. Nothing special but there is always some duty that calls for it to be done.
It is not the loud sound that fascinates, but the interaction of the sound with the environment. Reflection of a sound wave. e.g. the echoes from houses, mountains or trees that make it interesting to record fireworks. The problem, however, is that I am often confined to staying at home with my family on this day. I am therefore not in different places from year to year, and therefore I have to say that I have not made a good or interesting recording of fireworks, apart from maybe one recording in Tenerife. I’m also always experimenting with microphone setups, which usually don’t work out well when there’s a lot of other things going on.
It is with mixed feelings that I put a fireworks recording on the web this time. Have done it before and therefore not urgent to do it again because it always sounds as a loud noise which is not healthy for the ears or speakers.
But this new year is marked by terrible wars, which unfortunately all have their origins to the western hegemony and imperialism, as usual. Most recently with the targeted genocide in Palestine which as of this writing can easily escalate into an even bigger war, more or less all over the middle east.
The NATO proxy war in Ukraine is still going on after almost ten years conflict. It has destroyed Ukraine and seems to be also destroying Europe in coming years, if not in decades because of politicians stupidity. This time, the West, led by the United States, EU & GB has lost both credibility and the trust of most nations in the world.
The world is changing. US unipolar empire is falling and new multipolar empires are rising. At the same time, the US will drag Europe down in the fall and destroy Europe as a flourishing continent, only because of insane hatred towards Russia.
The new year therefore does not seem to offer anything good for many nations, but only continued with conflict and disaster. Fireworks with all its noise are therefore no longer part of entertainment in my mind, but a reminder of war with destruction, killings and mutilations.

This recording was made in my backyard, between houses with LCT540s in IRT. You can hear that the echo time is short. Some might think it’s because I used a Limiter. But the Limiter was turned off, as always should be done when recording fireworks. Recording sound pressure rose to a peak of +7.7dB (-7.4 LUFS-S) .
Details that can often be heard in fireworks when they are launched are not heard clearly in this recording because they were launched from beyond the houses in this backyard. However, I had another microphone set (MKH20/40 parallel AB) close to a place where people were setting off fireworks, but that recording did not go well for various reasons.
Even though this recording has been downgraded to mp3, be careful when listening to this recording. Don´t put up the volume, especially not when listening with speakers.
Quality open headphones are recommended while listening at mid/high-level.
Following picture shows the spectrogram of the whole recording this new years eve. But following recording start at 22:30min. Midnight is at 30:00min and the recording end at 52:30min
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(mp3 256kbps / 67Mb)

Recorder: Sound devices 788
Mics: Lewitt 540s, IRT cross setup
Weather: Calm, about -4°C
Pix: Spek Spectrogram
Location: Reykjavik Iceland

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It doesn’t happen often that my recordings are „interrupted“ by animals. But it happened last weekend when I was recording at my traditional place in Stafholtstungur in western Iceland. This time it was mice that seemed to gnaw the rubber on the tripod or the cables that ran up to the microphones. When the recording had been going on for three hours and it was 3 o’clock in the morning, the commotion in the mice started to keep me awake. It was as if they had gnawed a hole all the way into the windshield. So I went out and gave them a piece of cake next to the microphone stand. That made them stop biting the microphones. Instead, they started gnawing on the cake, which you can clearly hear after I brought the slice of cake.
This is traditional night silence. The background noise is mainly the wind in the leaves as well as the traffic of individual cars several kilometers away. I did not clean the internal mic noise in this recording as there is no need for it. Here it was recorded with 48dB gain on SD788 and in post-processing the volume was increased by +10dB up to peak -5dB.
Quality open headphones are recommended while listening at low to mid volume.
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(mp3 256kbps / 58Mb)

Recorder: Sound devices 788
Mics: Lewitt 540s, IRT cross setup
Pix: Canon EOS-R
Weather: Calm, about +4°C
Location: 64.155417, -21.834806

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This recording is actually recorded in a „natural silence“, far away from traffic in open landscape, which can be said to be my area of interest. But the weather, as so often before, was no way to work with me. Windy and wet which means I was not able to record the „depth in the field“ that can often be heard through good recordings, recorded in calm, dry weather.
There is no doubt when I say that 95% of all the recordings I record in Icelandic nature sounds like this. Therefore, it is also wrong not to report it with examples.
Here is one. The location is the highland at Arnarvatnsheiði, northwest Iceland near a place called Hæðarsporður
I had to find a sheltered place close to the ground to protect the microphones as much as possible from wind and rain. Close to the ground isn’t a good position for microphones, but often only way to record something for a days or a weeks
While Rode NT1 is a cardioid I couldn’t find an ideal location, so it is not a good balance between right and left channels. Right channel has noise from the Norðlingafljót river just over a km away, as well as there is less bird life on the left side
The result is as it is.
This is a part of a ten hours long overnight recording. During the night the windshield gets very wet, so one of the reasons why this recording sounds a bit „dull“.
The soundscape was quiet as usual on the Icelandic highland. It was almost impossible to hear anything except wind noise. The recorder was at +50 db gain on SD788. In post the gain was increased by about +25db (up to -7db). RX noise reduction was not used. Wind noise was decreased below 100Hz with EQ, also NT1´s white noise was lowered above 10Khz about -3db,  and -6db at 15khz.  Normally it does not harm the recording while bird songs which have the highest frequency range in Icelandic nature are mostly below 7Khz.
Quality open headphones are recommended while listening at low volume
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  (mp3 256kbps / 55,8Mb)

Recorder: Sound Devices 788
Mics: Rode NT1 (NOS 90°/30cm)
Pix: Canon EOS-R

Weather: Windy up to 8m/sec, drizzle rain, foggy & 5°C
Location: 64.854845, -20.545331

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The natural acoustic in Iceland for 8 months a year is little more than silence or noise created by the wind. It is obvious that my recording collection contains a large amount of this sound of silence. These are usually 6-10 hour long recordings. I usually do not listen to these recordings, but I run them all through a spectrogram to look for something interesting. Sometimes something interesting happens near the microphone, but it is rare. It is usually just different weather and of course the traffic that interrupts almost all recordings except for two to three hours overnight.
It was recently that the musician Hazal Elif Yalvaç contacted me and asked me about all kinds of „wind sounds“. So I searched through the collection, which made me find an interesting recording like this below.
It contains all kinds of wind sounds, both near the microphones and far away. The whole recording sounds like you are in the middle of a huge symphony orchestra. When it is calm and silent you can hear when the frost bites with a tiny „pop sound“. Straws and branches rub together in the wind and the ice breaks in the soil. Literally everything between falling snowflakes to strong winds blowing through tall trees in the distance.
This is a high gain recording (+50dB at rec.+ 20db in post) with microcosmic sound which was recorded in west Iceland 15th of February 2021.
This Gust symphony starts in Larghissimo, so be patient. The tempo will increase within a few minutes.
Quality open headphones are recommended while listening at mid level
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(mp3 256kbps / 62Mb)

Recorder: Sound devices 788 
Mics: Lewitt LCT540s  (IRT cross setup, mixed to stereo)
Pix: Canon EOS R

Location:  64.673367, -21.628704
Weather:  partly cloudy, slightly snowing, around -7 to -12°C

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Earthquakes have shaken southwestern Iceland for more than two weeks. They have been counted in many thousands since it began so folks like me are going to feel like all earthquakes below 4 in magnitude are a normal state
But not everyone feels the same way. All those who live close to the source of the earthquakes are going to be very tired of this situation, mainly inhabitants of Grindavík town and nearby places.
When I was working on this blog as an example, an earthquake hit my house which was 5.4 magnitude. It is similar in magnitude as those which first heard in the recording below.
The following earthquakes were recorded in my garage in Reykjavik which is 25-30Km from the earthquake’s source.
The first two earthquakes were recorded with parallel Nevaton MC59O & MC59C, on four channels in  AB40 setup. All other earthquakes were recorded using the Nevaton MC50Quad in MS setup. These Nevaton microphones are the only ones I have that can reach below 10Hz and can therefore also record the fluctuations in the aftershocks.
This recording contains sixteen earthquakes, collected from continuous one week long recording. They are mainly earthquakes which happen during the nighttime to avoid traffic noise. Most of them were above 3 magnitude…I guess.  

(mp3 256Kbps / 24,4Mb)

Quality open headphones are recommended while listening at mid level.
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Recorder: Sound devices 788
Mics: Nevaton MC59O & MC59C parallel in AB setup and MC50 Quad
Pix: Screenshot of the first two earthquakes in the recording

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Last month I published hydrophone recording „Crawling glacier“ from the lagoon beneath Svínafellsjökul icefall.
The original recording contains two other channels with the sound above the lagoon.
It is not as clear in this short mp3 file as it is with headphones in the field, but during the recording it seems to be possible to hear the flow of the icefall though the valley. Its is a slow event. It usually starts high above in the mountain with rumbling sound and then slowly moves in a shock wave as a silk smooth „white noise“ though the valley all the way to the toe of the icefall. Regularly the ice moves faster in some places when the pressure get high. Then it cracks, some parts brake off and other just crawl faster which is usually audible for everyone.
This behavior of the glaciers is not often audible during the day because of traffic, wind or the clear sun which can easily disturb the sound waves in the air. Then it is also too slow for impatient listeners. Nights are usually the best time to hear this sound of the „flowing mass“. Changeable nature or different types of glaciers will also play a big rule how it acts and sounds.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 44,3Mb)
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Recorder: Sound devices 788
Mics: Aquarian H2a-XLR & Sennheiser MKH20
Pix: Canon Eos M

Weather: Calm, cludy. 11°C
Location:64°00’12.7″N 16°52’39.6″W

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It is a special feeling to stay close to a glacier. It’s like standing near a wast monster that is constantly moving, but very slowly. Everywhere around this flexible ice the gravity of the ice is visible. Glaciers usually have strong smell of fresh oxygen that glaciers have captured in ice and compressed in to locked bubbles for hundreds and thousands of years. This smell from the past is like from another world, probably because today has much more carbon dioxide in the atmosphere than it has been for 800 thousand years at least. Glaciers also make sounds, sometimes quite loud, from falling drops of water to earthquakes, but most of these sounds are not audible to human ears. Glaciers make constant sound in water which needs hydrophones to capture, as can be heard on the following recording. I can not say I have been lucky in recording glacier sounds in years past. I’ve always been at the wrong place at the wrong time when glaciers produce “big sounds”, but after many hours, and several days on the same spot, I got something interesting which is worth listening to.
One of those days was 5th of June 2015 when I was at the glacier lagoon neneath of Skaftafellsjökull glacier’s icefall. This lagoon is not big, probably around 500m squared, but the depth is around 80 meters so the soundscape beneath the surface can be pretty exhilarating when the glacier is crawling at the bottom of the lagoon.
I put two hydrophones in the lagoon and two microphones on a nearby hill and recorded there for almost fourteen hours. The gain on the recorder was almost equal on all channels, or around 48dB, and during these 14 hour session the soundscape was different mostly because the glacier surface melts differently during the day then during the night with different water flows into the lagoon. All the time the glacier was grinding the bottom of the lagoon so under the lagoon’s surface the soundscape was much nosier than above.
Then just before midnight the glacier did a “big move” (starts 25:00) which lasted for several minutes, crawling with cracking and scratching sound. The soundscape down in the lagoon sounds really strange and surreal, but the listener must keep in mind that sound travels much faster in water than in the air. The soundscape above the lagoon was different. It was possible to ‘feel’ or ‘see’ through the audio the movement of the whole Svínafellsjökull glacier icefall through the valley. But that recording will be for another soundblog.
Quality open headphones are recommended while listening at mid level, or in speakers at medium level.

(mp3 256kbps / 63Mb)
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Recorder Sound Devices 788
Mics: Aquarian H2a XLR
Pix: Canon EOS M

Location: 64°00’12.7″N 16°52’39.6″W
Weather. Calm, cloudy, 11°C

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Kirkjubæjarklaustur (Klaustur) is a village in the south of Iceland on the hringvegur (road no. 1 or Ring Road) between Vík í Mýrdal and Höfn. It is part of the municipality of Skaftárhreppur and has about 500 inhabitants.
Even before the time of the first Norse settlement in Iceland, Irish monks are thought to have lived here. Since 1186, a well known convent of Benedictine nuns, Kirkjubæjar Abbey, was located in Kirkjubæjarklaustur, until the Reformation in 1550. The names of the waterfall Systrafoss („waterfall of the sisters“) and of the lake Systravatn („water of the sisters“) on the highland above the village refer to this abbey. Folk tales illustrate the history with stories about good and sinful nuns. The Systrastapi (sister’s rock) is where two of the convent’s nuns were buried after being burned at the stake. One of the nuns was accused of selling her soul to the Devil, carrying Communion bread outside the church, and having carnal knowledge with men; the other was charged with speaking blasphemously of the Pope. After the Reformation, the second sister was vindicated, and flowers are said to bloom on her grave, but not that of the first nun. Systravatn also has a legend relating to the convent. The nuns traditionally bathed in the lake, and one day two nuns saw a hand with a gold ring extending from the water. When they tried to seize the ring, they were dragged below the water and drowned.
The village became well known in Iceland during the Lakagígar volcano eruptions in 1783. The pastor of the local church and dean of Vestur-Skaftafellssýsla, Jón Steingrímsson (is) (1728 – 1791), delivered what became known as the „Fire Sermon“ (eldmessu) on July 20, 1783. The legend says that this sermon stopped the lava flow, and the village was spared at the last moment. The current church, constructed in 1974, was built in memory of the Reverend Jón Steingrímsson.
Today, the village is an important service center for the farms in the region as well as for tourists and weekend visitors. (Wikipedia)
During summer time many bird species are nesting close to the village and the river Skaftá which flows beside the village. Arctic Terns have a big colony almost in the middle of the village, so many other migrant birds are nesting there too.
The recording was captured early morning 7th of June 2016 and is a part of 7 hours long recording
Many bird species are in this recording, Arctic tern, Red wing, Common Snipe, Whimbrel, Common Redshank, Red-necked Phalarope and probably many other species. What I love most in this recording is in the middle of the recording, is a „special song“ of Eurasian Wigeon which is not a common bird in my recordings.
Quality headphones are recommended while listening at low to mid level, or in speakers at low level. Be careful, sometimes the level goes high when birds fly by.

(mp3, 265kbps / 59Mb)

Recorder: Sound devices 788
Mics: Sennheiser MKH20
Pic: Canon EOS-M

Location: 63.787049, -18.050793
Weather: Cloudy, Calm, around 7 °C

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Hér er á ferðinni lágstemmd hljóðupptaka sem beinlínis lýsir ljóðrænni sveitasælu út við sjó. Hún er tekin upp við Kópavog fyrir neðan bæinn Ófeigsfjörð við samnefndan fjörð á Ströndum.
Ímyndaðu þér að þú liggir þar með lokuð augun á grasbala rétt ofan við fjöruna við hliðina á lækjarsprænu sem rennur þar til sjávar. Þú ert þar milli svefns og vöku, það er logn og sólin vermir skrokk og grundir. Lágstemmd en þung undiraldan lemur sandfjöruna fyrir neðan þig og þú heyrir í henni jafn vel neðan úr jörðinni sem ofan.
Nú stefnir allt í að þessi sveitasæla sé að hverfa á þessum dásamlega stað.
Það hefur væntanlega ekki farið fram hjá nokkrum manni að innlendir sem erlendir braskarar hafa gengið hart í því að fá að virkja Hvalá sem rennur í Ófeigsfjörð. Mikil andstaða er við þessi virkjanaáform. Hafa braskararnir því mútað fólki með ýmsum hætti s.s. með loforðum um innviðauppbyggingu ofl.
Ég ætla ekki það skrifa meira um þetta hér, en vísa á fréttir og blaðagreinar.

Sjá fréttaskýringu frá RUV  (1. nóvember 2017)
Sjá blaðagrein hjá Stundinni  (9. febrúar 2018)

Kópavogur in Ófeigsfjörður

There are not many places left in Iceland where it is possible to have peace from traffic or feel as you are in clean unspoiled nature. But one of this places is in the northeast Iceland named Hornstrandir and Strandir.
But now, „business“ gangsters are planing to build a power plant in the river Hvalá that flows into the fjord, Ófeigsfjörður at Strandir.

Read article about this attack on this region:

Conservationists reject plans for hydropower plants in untouched Westfjords wilderness
Plans to destroy unique waterfalls in an abandoned fjord meets stiff resistance
See the breathtaking hidden waterfalls of the remote Strandir region in beautiful video

Following recording was recorded in June 2015 below the old farm Ófeigsfjörður which will be just a typical noisy place in the future if the business gangsters are going to build the power plant just few kilometers north of the recording place.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 56Mb)

Recorder: Sound devices 788
Mics: Rode NT1a (NOS)
Pix: Canon EOS M
Recording location: 66.049968, -21.703009
Weather. Calm, sunny, about 14°C

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One year ago I was recording in Skaftafell national park and neighborhood in southeast of Iceland. One of my favorite recording place in this area is not exactly in the park, but on Skeiðarársandur, a huge broad sandy wasteland along Iceland’s south-eastern coast, between the Vatnajökull icecap and the sea.
One of the reason I love this place is the silence. There is almost „nothing“. Just the sand. In the horizon far away is the glacier Vatnajökull on the one side, and on the other side just the sky. The only thing that disturbs this silence is traffic or the wind. So when it is calm during the night and traffic is down it is possible to listen deep into this amazing open space. There is not much life. There is probably only Rock Ptarmigan that lives there all year around. Other species are migrants during the summertime so it is easy to say, Rock Ptarmigan is the residents of silence.
This recording is a recording of silence. Most people will not hear anything in this circumstances, probably only its own heartbeat and notice „they have“ tinnitus. But with best equipment is it possible to listen deeper into this quiet place.
You will hear some birds and insects. With good headphones you will hear the rumble sound of heavy surf on the beach 20 to 30 km far away.
BUT this recording is not completely quiet. So be careful while listening. Two birds, a male and female Rock Ptarmigan, are coming very close, „talking“ loud into your ears (2:05).
It is also worth to listen to another earlier recording from this place. „Stories from Skeiðarársandur„.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

(256kbps / 61Mb)

Recorder: Sound devices 788
Mics: Sennheiser MKH20 (AB40 +5° outward)
Weather: Calm, cloudy, +5°C
Location: 63.969892, -17.160072

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