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Frá því í byrjun ágúst 1984 til vors 1989 tók ég upp marga tónleika, bæði erlendra tónlistamanna sem innlendra. Margir þessara tónleika voru haldnir af hljómplötuútgáfunni Gramminu þar sem Ásmundur Jónsson var í forsvari. Ekki man ég hvernig það kom til að ég fór að taka upp þessa tónleika en líklega hefur upptökuáhugi minn orðið til þess að ég fór til Ása í Gramminu og bað hann leyfis um að taka upp. Tók hann því bara vel og fékk hann alltaf afrit af öllum tónleikum. Í einhverju tilfelli, einu eða tveimur, rötuðu þessar upptökur inn á plötuútgáfur að mig minnir eins og hjá frönsku hljómsveitinni Etron Fou Leloublan.
En upptökurnar voru misjafnar. Notaðist ég svo til eingöngu við Sennheiser video / reporter hljóðnema ME20 og ME80 með K3-U „Power modulum“ sem gengu fyrir 5,6 volta rafhlöðum. Þessar rafhlöður voru rándýrar og asnaðist ég oft til að nýta þær rúmlega til fulls sem því miður bitnaði á gæðum sumra hljóðrita. Við svo bættist að á mörgum tónleikum var það Tryggvi Þór Herbertsson sem sá um hljóðblöndun. Hann var alltaf að mínu mati hljóðböðull þegar kom að hljómgæðum. Hann hinsvegar, leit svo á að pönktónleikar ættu að hljóma „hráir og illa“ eins og hann sagði einhverntíma í viðtali við fjölmiðil og þar við sat. Vegna þessa eru margar þessara upptaka ekkert eyrnakonfekt. En þær hafa þó sögulegt gildi.
Fyrir 33 árum mætti ég með upptökutæki á tónleika í Hjáleigunni, sem var í húsnæði við hliðina á Kópavogsbíói. Svarthvítur draumur (S.H.Draumur) var aðal númer kvöldsins en Spilliköttur, Ást og Gakk sáu um upphitun.
Greinilega má heyra að nýjar rafhlöður voru í hljóðnemunum og enginn Tryggvi á mixernum frami í sal. Hér er því ágætis upptaka á ferð.
SH draumur spilaði 12 lög á þessum tónleikum en á upptökunni heyrast aðeins 11 lög. Ástæðan var sú að þegar þeir voru búnir að spila fjögur lög þurfti að skipta um kassettu. Á meðan á því stóð var lagi nr. 5 fórnað.
Þeir sem hafa áhuga og vilja heyra í upphitunarhljómsveitunum kvöldins þurfa ekki að örvænta. Það er líklegt að ég muni setja þær upptökur á vefinn innan tíðar.
Þess ber svo að geta að Dr. Gunni gaf leyfi fyrir því að meðfylgjandi upptaka færi á vefinn.

The punk-rockband Svart Hvítur Draumur, 24th of November 1985

As a recording amateur I recorded many concerts between August 1984 to May 1989. The recording collection from this period includes many bands and artists, like Andrew Syrelle, Skeleton Crew, Etron Fou Leloblan, Anthony Braxton, Marlyn Crispell, Leo Smith & New Delta Ahkri, Kukl, Sugarcubes, incluting Björk, Vonbrigði, Oxmá, Megas and many others, mainly Icelanders.
I always recorded this concerts with cassette recorder and two microphones. Without knowing it at that time, the Tapers community was popular in other countrys so afterwards I can say this recordings were my participate in the Tapers community.
The equipment I used was Sony TC-D5m cassette recorder and Sennheiser ME20 & ME80 microphones with K3-U power module. For several concerts I get borrowed a pair of Sennheiser MD441 which bring extra quality into those recordings .
Many of this recordings have poor quality while other are outstanding. The following recording below was recorded with a pair of ME20 so it is as good as it gets with that mic.
The Punk-rock band, Svart hvítur draumur (1982-88) or S.H.Draumur (Back & White Dream) was a trio and pretty popular in the eighties. This concert was held in Kópavogur, south of Reykjavík outskirt 24th of November 1985.

  (mp3 256kbps / 73Mb)

Recorder: Sony TC-D5M (AD transfer 24/48, Sound devices 744)
Mic: Sennheiser ME20
Pix: (Dr. Gunni)

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Ásbyrgi has a fantastic soundscape. It is one of the wonders of nature, a forested horse-shoe shaped canyon in Oxarfjordur. Asbyrgi is a part of Jökulsárgljúfur, within the Vatnajökull National Park.
I was there recording over night for ten hours 1st. of June 2018 . I don´t know if it was the time of the year, or something else, but the cliffs were very quiet this night. Usually I have been there later in June and July and the Fulmar in the cliffs have been noisier.
It was around 8 o´clock in the morning, just before the tourist traffic arrived that the soundscape in the canyon changed. It was like the whole biosphere woke up with lots of birds and insects activity. The following recording is the last 30 minutes that day before the soundscape was ruined by traffic noise and yelling tourists. Several bird species are in this recording. Northern Fulmar, Common Snipe, Eurasia Woodcock, Whimbrel, Red-Necked Phalarope, European golden Plover,  Pink footed Goose, Eurasian Wigeon, Eurasian Teal, Redwing, Common Redpoll, and Snow Bunting.
Here you can also listen to older posts from Ásbyrgi: Fairy in Ásbyrgi and Botnstjörn pond in Ásbyrgi.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

  (mp3 256kbps/62,3Mb)

Recorder: Sound Devices MixPre6
Mics: Sennheiser MKH20 (AB40 setup)
Pix: LG G6
Location: 65°59’56.6″N 16°30’44.9″W
Weather: Clear sky, light gust, 5°C

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Last month I published hydrophone recording „Crawling glacier“ from the lagoon beneath Svínafellsjökul icefall.
The original recording contains two other channels with the sound above the lagoon.
It is not as clear in this short mp3 file as it is with headphones in the field, but during the recording it seems to be possible to hear the flow of the icefall though the valley. Its is a slow event. It usually starts high above in the mountain with rumbling sound and then slowly moves in a shock wave as a silk smooth „white noise“ though the valley all the way to the toe of the icefall. Regularly the ice moves faster in some places when the pressure get high. Then it cracks, some parts brake off and other just crawl faster which is usually audible for everyone.
This behavior of the glaciers is not often audible during the day because of traffic, wind or the clear sun which can easily disturb the sound waves in the air. Then it is also too slow for impatient listeners. Nights are usually the best time to hear this sound of the „flowing mass“. Changeable nature or different types of glaciers will also play a big rule how it acts and sounds.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 44,3Mb)

Recorder: Sound devices 788
Mics: Aquarian H2a-XLR & Sennheiser MKH20
Pix: Canon Eos M

Weather: Calm, cludy. 11°C
Location:64°00’12.7″N 16°52’39.6″W

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It is a special feeling to stay close to a glacier. It’s like standing near a wast monster that is constantly moving, but very slowly. Everywhere around this flexible ice the gravity of the ice is visible. Glaciers usually have strong smell of fresh oxygen that glaciers have captured in ice and compressed in to locked bubbles for hundreds and thousands of years. This smell from the past is like from another world, probably because today has much more carbon dioxide in the atmosphere than it has been for 800 thousand years at least. Glaciers also make sounds, sometimes quite loud, from falling drops of water to earthquakes, but most of these sounds are not audible to human ears. Glaciers make constant sound in water which needs hydrophones to capture, as can be heard on the following recording. I can not say I have been lucky in recording glacier sounds in years past. I’ve always been at the wrong place at the wrong time when glaciers produce “big sounds”, but after many hours, and several days on the same spot, I got something interesting which is worth listening to.
One of those days was 5th of June 2015 when I was at the glacier lagoon neneath of Skaftafellsjökull glacier’s icefall. This lagoon is not big, probably around 500m squared, but the depth is around 80 meters so the soundscape beneath the surface can be pretty exhilarating when the glacier is crawling at the bottom of the lagoon.
I put two hydrophones in the lagoon and two microphones on a nearby hill and recorded there for almost fourteen hours. The gain on the recorder was almost equal on all channels, or around 48dB, and during these 14 hour session the soundscape was different mostly because the glacier surface melts differently during the day then during the night with different water flows into the lagoon. All the time the glacier was grinding the bottom of the lagoon so under the lagoon’s surface the soundscape was much nosier than above.
Then just before midnight the glacier did a “big move” (starts 25:00) which lasted for several minutes, crawling with cracking and scratching sound. The soundscape down in the lagoon sounds really strange and surreal, but the listener must keep in mind that sound travels much faster in water than in the air. The soundscape above the lagoon was different. It was possible to ‘feel’ or ‘see’ through the audio the movement of the whole Svínafellsjökull glacier icefall through the valley. But that recording will be for another soundblog.
Quality open headphones are recommended while listening at mid level, or in speakers at medium level.

(mp3 256kbps / 63Mb)

Recorder Sound Devices 788
Mics: Aquarian H2a XLR
Pix: Canon EOS M

Location: 64°00’12.7″N 16°52’39.6″W
Weather. Calm, cloudy, 11°C

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Iceland’s electricity is produced almost entirely from renewable energy sources: hydroelectric (70%) and geothermal (30%). Less than 0.2% of electricity generated came from fossil fuels (in this case, fuel oil). In 2012 there was no wind power installed in Iceland. Electricity production increased by 24 MWh/person from 2005 to 2008, an increase of 83%.
According to Statistics Iceland the total electricity consumption was 7,958 GWh in 2002, 11,480 GWh in 2007, and 17,068 GWh in 2012. The aluminum industry in Iceland used 71% of produced electricity in 2011.
The electricity supply and consumption were equal in 2008: 53.1 MWh per inhabitant when the European union (EU15) average was 7.4 MWh. Iceland’s consumption of electricity was seven times higher than EU 15 average in 2008. The domestic electricity supply promotes use of electricity.
The Icelandic electricity market is geographically isolated. The market was closed for competition prior to 1 July 2003. Almost all electricity was supplied by Landsvirkjun and sold through regional distribution companies. Landsvirkjun had a monopoly position on investment in generation. Full market opening began in 2006 e.g. with the opportunity to switch supplier. Contracts for large scale energy users were in general long term, up to 30 years with options for extension.
Landsvirkjun, the largest electricity producer, had 76% annual production in 2007.The majority of the electricity is used in industry, mainly aluminium smelters and producers of ferroalloy. Landsvirkjun does not participate directly in the retail market for households and smaller businesses. In the retail market the main companies are RARIK, Orkuveita Reykjavíkur and Hitaveita Suðurnesja.The last two have also entered into the market for energy intensive users. The households heated with electricity, not many, receive subsidies to make their heating costs comparable to hot water heating. (Wikipedia) .
The following recording was recorded at Skóey island in Hornarfjörður fjord under a powerline “Byggðalína”. It is a 132kV powerline which connects all the regional and local electrical grids together and stabilizes the whole electrical grid in Iceland. The structure is in most parts over thirty years old and for the last several years it has been quite overloaded.
The recording was in 24bit/48Khz. Behind the aggressive electrical sound is a typical calm, quiet wetland soundscape with rumbling background noise from the ocean shore not far away and traffic.
When the recording is inspected in specrogram it shows the sparks fill the whole frequency spectrum of noise, or up to 24Khz (see picture). It would have been interesting to record this sparking sound at 192kHz because the whole microphone frequency range is up to 50Khz. That is not all, because the air is massively loaded with EMF/radiowaves, from 50Hz up to several hundred kHz. The strong radio signals travel long distances and make it almost impossible to record clean spaceweather signals with VLF receiver without human electrical noise pollution.

(mp3 256kbps / 55Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040 (Parallel AB40)
Pix: Canon Eos M

Location: 64.311677, -15.322010
Weather: Calm, Cloudy, drizzle rain. Temp: ca. 9°C

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World Oceans Day takes place every 8 June. It has been celebrated unofficially since its original proposal in 1992 by Canada’s International Centre for Ocean Development (ICOD) and the Ocean Institute of Canada (OIC) at the Earth Summit – UN Conference on Environment and Development (UNCED) in Rio de Janeiro, Brazil.[1] The Brundtland Commission, i.e. the World Commission on Environment and Development, provided the inspiration for a global oceans day. The 1987 Brundtland Report noted that the ocean sector lacked a strong voice compared to other sectors. At the first World Oceans Day in 1992, the objectives were to move the oceans from the sidelines to the center of the intergovernmental and NGO discussions and policy and to strengthen the voice of ocean and coastal constituencies world wide.
The Ocean Project, working in partnership with leading organizations from all sectors, including the World Ocean Network, Association of Zoos and Aquariums, and many others in its network of 2,000 organizations, has been promoting World Oceans Day since 2002 and together with World Ocean Network led a three-year global petition movement to secure official UN recognition. World Oceans Day was officially recognized by the United Nations in late 2008.[2]
World Oceans Day events are celebrated on 8 June, the closest weekend, the week, and the month of June. The day is marked in a variety of ways, including launching new campaigns and initiatives, special events at aquariums and zoos, outdoor explorations, aquatic and beach cleanups, educational and conservation action programs, art contests, film festivals, and sustainable seafood events. Youth have been playing an increasingly important role since 2015, including the development in 2016 of a World Oceans Day Youth Advisory Council (Wikipedia).
The following recording was recorded at midnight 29th of May in a wonderful weather nearby Hraunhafnartanga peninsula, close by the arctic circle.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 55Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040 (Parallel AB37)
Pix: LG-G6

Location: 66.52273, -16.03947
Weather. Calm. Clear sky. around 7°C

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Veturinn 2017-2018 hefur verið afar ánægjulegur fyrir þá sem hafa viljað sjá breytingar í verkalýðshreyfingunni. Eru það voandi merki þess að niðurlægingartímabili verkalýðshreyfingarinnar allt frá tímum Guðmundar J Guðmundssonar sé loks á enda.
Hófst það með kosningu Ragnars Þórs Ingólfssonar í stjórn VR og síðan Sólveigar Önna Jónsdóttur í Eflingu. Bæði hafa verið mjög skellegg í umræðunni um bætt kjör.
Það var því nokkur eftirvænting hvað myndi gerast 1. maí í ár, því sá dagur var nokkuð viðburðarríkur ári áður. Þá hélt Ragnar Þór ræðu á sérstökum baráttufund á Austurvelli á meðan gamla verkalýðsforustan með Gylfa Arnbjörnsyni hélt sinn fund á Hallærisplaninu.
Eftir útifundina 1. maí 2017 var Sósialistaflokkurinn stofnaður í Tjarnarbíó. Þar fremstur flokki var og er Gunnar Smári Egilsson sem sjaldnast hefur vafist tunga um tönn í umræðunni um spillingu og fátækt á Íslandi, orsök og afleiðingu.
Með þessu nýja fólki kemur nýtt tungutak sem hljómar eins og himnasending fyrir meðvitða launþega. Tilkoma Ragnars Þórs, Gunnars og nú síðast Sólveigar að mörgum öðrum ólöstuðum, þá er farið að heyrast langþráð tungutak í verkalýðsbaráttunni sem ekki hefur heyrst í áratugi. Fyrri verkalýðsforusta, sem greinilega var og er samgróin atvinnurekendum og fjármálageiranum, kom aldrei orðum að neinu sem máli skipti fyrir almenning, hvað þá að sýnna baráttunni með aðgerðum. Hún hefur fyrst og fremst komið sé fimlega frá aðgerðum gégn arðráni fjármálaaflanna, sjáftök þeirra ofurríku og síauknu launamisrétti.
En svo er það annað mál að hálfu ári liðnu, þegar kjarasamningar verða lausir, hvort ný forysta muni standa við gefin loforð. Því má svo ekki gleyma að almennt launafólk þarf lika að hafa vit, kjark og þor til að taka slaginn með verkalíðshrefingunni og verjast áróðri valdhafa og fjámálaafla
Upptakan sem hér er í boði var tekin upp á Ingólfstorgi 1. maí 2018, þ.e. tveir aðgreindir dagsrárliðir sem skeyttir eru saman. Er það ræða Ragnars og í framhaldi af því söngur almennings á Maístjörnunni og Internationalinum. Þá má heyra í ágætum miðbæjarróna taka nokkuð ákaft undir ræðu Ragnars og í lokin spaugileg, síendurtekin mismæli hjá kynni dagsins sem var Þórarinn Eyfjörð, framkvæmdastjóra SFR.

May day 2018

This is a recording of the VR union leader´s speech and two singalong songs in Mayday 2018. All is in Icelandic. It was recorded Ingólfstorg scuere in downtown Reykjavík.

(mp3 256kbps / 35,2Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH30 / Autio Technica AT4022 (MS setup)
Pix: Iphone5s

Location: 64.148038, -21.941328
Weather: Light clouds to showers, calm up to 10m/sek, around 3°C