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Posts Tagged ‘Sea birds’

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World Oceans Day takes place every 8 June. It has been celebrated unofficially since its original proposal in 1992 by Canada’s International Centre for Ocean Development (ICOD) and the Ocean Institute of Canada (OIC) at the Earth Summit – UN Conference on Environment and Development (UNCED) in Rio de Janeiro, Brazil.[1] The Brundtland Commission, i.e. the World Commission on Environment and Development, provided the inspiration for a global oceans day. The 1987 Brundtland Report noted that the ocean sector lacked a strong voice compared to other sectors. At the first World Oceans Day in 1992, the objectives were to move the oceans from the sidelines to the center of the intergovernmental and NGO discussions and policy and to strengthen the voice of ocean and coastal constituencies world wide.
The Ocean Project, working in partnership with leading organizations from all sectors, including the World Ocean Network, Association of Zoos and Aquariums, and many others in its network of 2,000 organizations, has been promoting World Oceans Day since 2002 and together with World Ocean Network led a three-year global petition movement to secure official UN recognition. World Oceans Day was officially recognized by the United Nations in late 2008.[2]
World Oceans Day events are celebrated on 8 June, the closest weekend, the week, and the month of June. The day is marked in a variety of ways, including launching new campaigns and initiatives, special events at aquariums and zoos, outdoor explorations, aquatic and beach cleanups, educational and conservation action programs, art contests, film festivals, and sustainable seafood events. Youth have been playing an increasingly important role since 2015, including the development in 2016 of a World Oceans Day Youth Advisory Council (Wikipedia).
The following recording was recorded at midnight 29th of May in a wonderful weather nearby Hraunhafnartanga peninsula, close by the arctic circle.
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 55Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040 (Parallel AB37)
Pix: LG-G6

Location: 66.52273, -16.03947
Weather. Calm. Clear sky. around 7°C

Auglýsingar

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When I use boom in recording I have used Audio Technica BP4025 stereo mic in Rycote windshield. It is not too heavy and it gives me stereo recordings. But very often I have been disappointed with the „musical“ sound quality, so I don´t often get quality ambiance recordings with this setup. Saying that, it does not mean BP4025 is a bad mic. BP4025 has a very low noise floor. It is the perfect mic for special circumstances like where size does matter and for very quiet environment/nature recordings.
DPA4060 is a pretty sounding miniature mic, sold in pairs and much lighter than any original stereo mic on the market. That means it is perfect to use for boom recordings. But because DPA4060 is an omni mic it is necessary to separate the capsules to get stereo. It is done in two ways. Separate the capsules with space (around 40cm) to get time difference, or place them in two sides of some sonic baffle materials.
The BP4025 was in a short Rycote WS2 windshield which has overall length (wide) 34cm. So it was important to place the capsules each side of some baffle material to get acceptable wide stereo.
I end up with a simple „binaural“ project I made out of wooden leftover (see pictures).
I decided not to use silicon artificial human ears because the ears will change the frequency curve at 2,5Khz and 5,5Khz, which means I needed to fix the EQ afterwards on all recordings made with this rig.
The result was stunning. The rig I made was lighter and better wight balanced than previous BP4025 setup. The overall wight is only 750gr (mics+wood baffle+WS2 basked+fur). It also gives me wider „stereo image“. But best of all, it withstands wind- and handling noise much better than previous BP4025 setup.
Following recordings are 4 and were made in three locations. The two first one are waves on seashore, then one from a cliff, 300 m above sea level with seabirds and the last one is from a football game in Reykjavik. All where recorded on Sound devices 744.
All recordings are straight from the recorder. Just cut and paste, fade in and out and then down grade from WAV to mp3.

(256kbps / 29Mb)

The two first recordings are big and then small waves. The mic have fur, HPF is off and gain at 45db. The mics are faced from the beach to the fjords. You will hear car pass by „behind“ the mic. Notice, you will hear a short „drop out“ when it pass. It is because it passes my car which was located on the road side. See location.
In the cliff recording the mic is without fur. It is possible to hear how strong gust sounds on the Rycote basket, but that is anyway much better (or different) than the my previous BP4025 setup. HPF at 40Hz and gain at 45dB. The boom with the mic reaches the cliff edge about one meter. See location.
The last recording is from a football game celebration in downtown Reykjavik. No fur, HPF at 40Hz and gain at 40dB. The mic stood on a boom about 1 meter above the crowds head. See location.

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