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Posts Tagged ‘Sound devices MixPre6’

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It was at Sunday 19th of September 2021 that I suddenly decided to go on sea to record with the hydrophone. The weather- and tide forecast promise me a few hours of decent circumstances.
But when I arrive at the harbor, people there like to chat about my kayak and equipment. So when I finally went on I was getting late. The wind had increased and the tide was getting too low for the place where I was heading to, so after 4 km paddling I ended up beside a pier in Viðey island which is only 800m NE from Reykjavik Sundahöfn harbor.
I tied my boat to the pier and put the hydrophone about three meters below the boat. It surprised me how quiet this place was. Almost no sign of life, mussels or shrimps, probably because just 700 meter away is a dock for cruise ships which have most likely destroyed the ocean floor in this area with their powerful propellers.
Nevertheless the silence is as interesting in the ocean as the silence on open land, so it is worth listening to.
While I was recording, the ferry to Viðey came and went. So be careful, you need to lower the volume between 11 to 14 min because the propeller noise will be very loud .
You can get an idea how Bethowave 7121 hydrophones perform in this recording. It comes straight from the recorder. No noise reduction, just fade in and out and downgrade from 24/48 wav to 256 kbps mp3

(mp3 256 kbps / 58Mb)

Recorder: Sound devices MixPre6
Mics: Benthowave BII-7121
Pix: LG G6

Location: 64.161135, -21.855538
Weather: Gust 5-8m, cloudy, about 7°C

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Snæfellsnes peninsula has long sand and gravel beaches, especially in the south.
These beaches can easily attract everyone who traveled there. So when I was there on the 1st of July 2021 I did a hike along the beach below the Langholt guesthouse (Garðafjara).
Surf is usually not interesting recording material and there are not many „surf recordings“ in my sound blog. But this beach had a special sound that night
I thought something was disturbing my hearing, but soon I noticed it was the gravel in the surf which made this sound. Instead to be almost constant pink noise, then the noise on this beach constantly changes with every wave. From brown noise to white noise.
As usual the recording gear is never far away so I record this interesting soundscape just before midnight. 

(mp3 256Kbps / 52Mb)

Recorder: Sound Devices MixPre6
Mics: Sennheiser MKH8020/8040 Parallel AB
Pix: Canon EOS R

Weather: Calm to 2m/sec, cloudy,  about 15°C
Location: 64.809722, -23.147333

 

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The eruption was in full action on the 17th of July 2021 and the weather forecast was fine, calm and dry when I decided to go and record at the eruption sites.
I decided to stay not near popular sightseeing places, so therefore I went by bike to get further away to another place at the lava field.
But when I arrived, there was a strong wind because both the eruption and the lava itself has its own weather system due to the heat in the area. Pollution was also high, so it was not easy to operate in the area.
Eventually I found a „good place“ where I had to block the microphones between rocks on the ground right by the glowing lava.
As soon as I pressed „Record“ the volcano stopped erupting and it did not erupt in the next few days, which is very typical for me.
It is quite descriptive of this eruption, although it is a small and beautiful „tourist eruption“, I have not been able to record the eruption itself these four times I have dragged equipment to the eruption sites. There have always been strong gusts and sometimes „small“ hurricanes around the volcano which have made sound recording very difficult. Plus, when it erupts it does not make much sound, especially when no water is involved in the eruption or the lava which would have made an explosion. But when the volcano is active the boiling lava sounds like boiling water in a huge pot.
Even though I could not record the eruption that day as was planned, I managed to record the lava itself without too much wind-, tourists chatting-, drones- and helicopter noise.
The lava did not seem to be moving while I was recording, but I could see embers in the cracks.
I have no clue what makes this „pop“ sound in the lava while I could not see it move. The sounds could be coming from the lava that was possibly rising when the liquid lava flowed under a thin shell crust. Or it just sounds like that when the lava cools down.
The gust rumbling sound in this recording sounds pretty similar as the eruption from the volcano so let’s play with with the imagination while listening.

  (mp3 256kbps / 56,3Mb)

Recorder: Sound devices MixPre6
Mics. Sennheiser MKH8020/8040 (Parallel AB40)
Pix:  Canon EOS R

Location:  63.886300, -22.230307
Weather:  Gusty, 15°C and 35°C at the microphone place, cloudy and high gas pollution.

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For several years I have recorded the soundscape at the same spot when I visit a cottage in west Iceland. Every time I record there I get something different and interesting, all year around.  Forestry has changed the birdlife a lot on this spot in the last 20 years.  Birds like Redwings, Common Redpoll, Eurasian Wren and Starlings are now in increased numbers since the beginning in this century.
I recorded this spot overnight both 6th and 7th of July 2021.
Lot of chicks had already left the nests so the grass field around the microphones was full of birds searching for insects which can be heard in this recording.
The following recording is not an example of the „best part“ which I record these two mornings. It is just a part of the first WAV file at the 6th which I choose because of low traffic. So more of these two days’ recordings will be audible in this blog in the future.
The time is between 2:30 am to 3:05. It is calm and quiet in the beginning until the Common Snipe begins to make a noise with its tail. Young Redwings, Common Redshanks and Snipes are all around the microphones. Other birds are not far away such as European Golden Plovers, Whimbrel, White Wagtail, Eurasian Wren, Rock Ptarmigan, and Whooper Swans in the distance.
This was recorded with four channel IRT setup, but sadly one of the cable was broken so I could only use three of the channels which was though easy to mix into INA-3
This was recorded at 48dB gain (HPF@80hz). In post the gain was increased about 30dB plus gentle RX noise reduction.
Quality headphones are recommended while listening at low or mid level or in speaker at low level.
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(mp3 / 256mbps 69,8Mb)

Recorder: Sound devices MixPre6
Mics: Lewitt LCT540  (IRT setup)
Pix: Canon EOS R

Location: 64.673368, -21.628709
Weather: Calm, cloudy, about 12°C
Other recordings from this location in Stafholtstungur:

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The spring of 2021 has either been windy and cold or windy and wet or both.
Even though birds are usually tough lifeforms, it has been clearly audible that they would like to have warmer days, so instead of filling the air with songs they have been quieter than other years.
Iceland is not rich with audible wildlife sounds. Everything sounds distant so if the air is unstable and wind is more than 2m/sec  then it starts to be difficult to record the wildlife   
From end of February until mid June it has been a very poor circumstances to record in an open field, mainly because of unpredictable and windy weather
In the second week of June I saw in the weather forecast a opportunity to get calm weather for a one day in Látrabjag cliffs so I packed my gear and set off.
On the way in Mjóifjörður I drove off the paved road and followed the old gravel main road to relax and make a coffee. I found a good spot. It was under a mountain slope, surrounded by low birch bush and wild flora. Beside me was a small brook and inside the bush was a shelter from the wind. The soundscape was full of life, so I put up the gear and started to record while taking a nap. 

  (mp3 256kbps / 59.7Mb)

Recorder: Sound devices MixPre6
Mics: Lewitt LCT540s (NOS)  
Pix: Canon EOS-R

Location: 65.614159, -22.823796
Weather: Cloudy, dry, 10-15m/sec, 7°C  

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Here is one of my „COVID recordings“ that I managed to record by Glacier lagoon, Jökulsárlón near the lagoon outfall.
This place is close to the ring road around Iceland so it is usually overcrowded by tourists and other traffic all year round, almost 24/7. I have only been able to dream of recording this place without traffic and human interruption.
But thanks to COVID, on the 10th of June 2020 I managed to record there without too much interruption.
The soundscape is different in this place, but the recording here below is typical for summer soundscape. When I first went to this place some decades ago the glacier was much closer, I guess about 2km away, but today it is about 8km away and much thinner. The sounds from the glacier have almost disappeared. But on the lagoon are large icebergs that melt down rapidly near the lagoon’s outfall. They can emit interesting sounds when they break in pieces.
Arctic terns have nested beside the outfall in many years, but probably because of traffic they seem to have moved the biggest colony closer to the glacier.  In the eighties and nineties when I passed this place every year by bike, Great Skua dominated this area with nests in many places.. But today this big bird is hardly seen near the outfall compared to how it was thirty years ago. Arctic Skua is a common bird there as it has been before.
This recording was made a few hundred meters east from the lagoon outfall.
Not far from the microphone are stranded icebergs which are constantly melting with all kinds of sound.
Most common birds in this recording are Arctic tern, Northern Fulmar, Black Headed Gull, and Razorbill. Other species are audible too.
Common Eiders come quietly close to the microphone and Seals have a fight or mating not far away,
The main background noise is a rumble from heavy surf along the Atlantic ocean coastline  several hundreds meters behind the microphones. Traffic from the ring road no1 is also audible.
Quality open headphones are recommended while listening at mid level.
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  (mp3 256kbps / 65.5Mb)

Recorder: Sound Devices MixPre6
Mics: Lewitt LCT540s (NOS)
Pix: Canon EOS-R

Weather: Cloudy, calm, around 8°C
Location: 64.052841, -16.178658

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Shortly after I set up my gear in a safe spot near the lagoon beneath the Svínafellsjökull ice fall. I heard thunder behind the Hafrafell mountain
Two minutes later and suddenly all icebergs in the lagoon began to move around like corks in a boiling pot. Big waves paralyzed the shores of the lagoon, in some places for many meters.
„Shit“ was my first thought. „I was not in the right place“. I should have been on the other side of the lagoon and closer to the glacier, where I have spent hours and days in recent years trying to record incidents like this without success. I ran to the lagoon to see what was going on.
…Or maybe I was lucky to be where I was. I saw big waves go far up on the shore at the place where I have been recording the past years. I probably would have damage or destroyed the Phantom power adapters inside the hydrophones XLR´s.plugs   
Thanks to COVID I was now in a place which has been impossible to record because of the tourist explosion in recent years.
Two microphones were now placed under a high steep crawl on the lagoon´s west bank, 5 meters above the lagoon surface. Below the microphones, two hydrophones were put in the lagoon between big rocks to prevent them from getting crushed or touched by icebergs. It was a bad placement for a successful underwater recording. But I  remember quite well what happened in this lagoon few years ago. So I was sure I would lose them both and probably something more if I threw them deeper into the lagoon. 
Although the outcome is OK, even though the hydrophones did not pick up the whole soundscape underneath the lagoon’s surface. 
The glacier calving starts in this recording at 3:15 min far away and behind the Hafrafell mountain, so it doesn’t sound very loud. But it makes a big wave in the lagoon which makes a chain reaction of a few other glacier calving.
Just before the first incident you can hear the hydrophone pick up a sound of crushing ice. It would have been much louder if the hydrophones have been deeper in the lagoon. But recording glacier lagoons is not an easy task when the lagoon is full of ice which can flip without warning.  
This recording was made in the late afternoon so traffic noise from rode no:1 is audible in the background. But compared to recent years, it is nothing. Thanks to COVID.   
Quality open headphones are recommended while listening at low to mid level, or in speakers at medium level.

(mp3 256kbps / 48Mb)

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Recorder: Sound devices MixPre6 
Mics: Lewitt LCT540s (NOS) & Aquarian H2n XLR (Spaced AB)
Pix: Canon EOS R

Location: 64.007567, -16.880922
Weather: Cloudy, calm,  +11°C  
 

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There is a place near Fjallsjökull glacier I have tried to record several times in recent years. But I´ve never been happy with the result.  Mainly because of noisy traffic from road no.1 and/or surf noise from Breiðamerkurfjara beach or because of weather.
But COVID19 gave me an wonderful opportunity to record this place without tourist traffic in June 2020.
This place is a small glacial corrie south of Fjallsjökull glacier. It is a small, wet area, with several fresh water springs. Arctic flora brings lots of birds to this place so the soundscape can be very interesting with a rumbling glacier in the background.
This is a part of several hours long recording. The time is around 5 o’clock in the morning. Flock of noisy Barnacle geese has already landed not far away from the microphones. Through the whole recording these Barnacle geese come closer and closer to the microphones, so be careful, in the end they get loud.  Early in the recording two Whimbrels sing an interestingly long „love song“. Other birds are audible too, like Golden plover, Dunlin, Rock Ptarmigan and Red Throated Diver.
Once, about 2km away, a big piece of ice breaks off the glacier into the lagoon with noisy consequences.
Background noise is mainly a surf from the ocean behind the microphones, about 5 km away.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

(mp3 256kbps / 62Mb)

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Recorder: Sound devices MixPre6
Mics. Lewitt LCT540s (NOS setup)
Pix: Canon EOS-R

Weather: Calm, Cloudy, about 4°C
Location: 64.010735, -16.391960

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Recording Icelandic glaciers aims to be my main passion for the coming years.
Unfortunately, I feel I’m starting too late because the sounds have changed significantly over the last 20-30 years. It is because they have lost a lot of mass, especially on the edges of the glaciers where they mainly produce sound.
It is becoming increasingly difficult to get to places where a glacier is crawling because there are no roads or tracks near the places that are considered suitable for recording today.
Not enough. Most of the glaciers are within national parks and protected areas today. Therefore, I need to apply for a permit to go to various places within the national park to record.
Once in place, it is not a given that it is possible to record exactly where it would be best to get an interesting sound. It must be taken into account that glaciers are not playgrounds and they can be dangerous. Glacier lagoons’ coastline are also dangerous when large pieces of ice fall from glaciers and large icebergs flip over and break down in pieces.
Weather conditions are also important. I am used to record continuously for many hours, even days, so calm and dry weather most of the time is always on the wish list.  
Last summer Jökulsárlón lagoon and Breiðamerkurjökul glacier were my main targets. It was slightly more difficult than I thought in the beginning, mainly because I did not have a clue what microphones worked best for this project so I brought with me microphones for all kinds of situations which is a hell a lot of stuff. In the end it was my parallel MKH8020/8040 rig which worked best for this glacier project last summer. Mainly because glaciers are not so quiet and therefore microphones with the lowest noise floor are not so important . 
It takes me almost two hours to sail on pedal Kayak with all luggage to the location near the glacier. I started immediately to record with two recorders after arriving. Then it takes me almost a day to find the best location for the microphones. It was not the best place to get the highest quality of sound recording. But they were sheltered from the wind and in safe distance from big waves or tsunami from the lagoon.
This following recording is a part of a 20 hour recording on this location. 
WARNING. This recording has a wide dynamic range. It includes several blasts (especially at 6:34) which are very loud that can damage speakers, headphones or your hearing if played too loud.
As usual for nature recordings it has not got any process in post. Just add gain about 20dB. Therefore is clipping inevitable in the „blast“ at 6:34.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.

(mp3 256kbps / 56,3Mb)
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Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040 in Parallel AB40. Mixed50/50%
Pix: Canon EOS R

Location: 64.109285, -16.243593
Weather: 4°C 2-4m/sek, cloudy

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Thanks to COVID, I got a unique opportunity this summer to record in places I have so far not been able to record because of traffic, mainly due to tourists. One such site was Skeiðarársandur, a broad sandy wasteland along Iceland’s south-eastern coast, between the Vatnajökull icecap and the sea. This area has been a „desert“ with deadly glacial rivers for centuries. But due to global warming and receding glaciers, rivers have disappeared. Instead, vegetation like moss, grass and trees has occupied some areas without human intervention.
It is therefore obvious that biodiversity will change significantly in the coming years.
Here is a part of an 8-hour-long recording that was taken just east of the dry riverbed of Skeiðarár, which was a huge glacial river for centuries until a few years ago when it disappeared due to changes in Skeiðarárjökull glacier.
This is a recording of silence. The microphones were placed beside a small creek which can be found all over Skeiðarársandur. Because of the wind I did not use a tripod, they just stood on the windshield on the ground which gave a pretty good result.
The background noise is mainly a gust of wind stroking the ground and surf among the coast, about 20-30Km away
Birds in this recording are Common Ringed Plover, European Golden Plover, Dunlin, Purple Sandpiper, Common Snipe, Whimbrel, Common Redshank, Whooper Swan, Greylag Goose.
Quality open headphones are recommended while listening at low to mid level, or in speakers at low level.
The name of this blog „Dögun við Eyrar“ means „Dawn at Eyrar“ (Eyrar is the name of the place)
Other recordings from Skeiðarársandur can be found here

( mp3 256kbps / 63Mb )
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Recorder: Sound devices MixPre6
Mics: Lewitt LCT540s (IRTcross) channels counter clockwise 1-2-3-4 = L-R-L-R
Pix: Canon Eos R

Loation: 63.972468, -16.956438
Weather: Clear sky. Gust up to 6m/sec. around 10°C
Recording time between 5.am to 6.am

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