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Þá kom sá dagur sem maður vissi að ég gæti ekki flúið. Mamma fór úr mínu lífi 27. september 2025 eins og pabbi 28. september 14 árum áður. Fráfall pabba minnti mig á að lífið er ekki eilíft og maður ætti að njóta þess á meðan maður hefði líkamlega getu til. Við fráfall mömmu missti ég einhver andleg tengsl, ekki bara við tengda sál, heldur lika áþreifanleg tengsl við fortíðina.

Mamma, Ingunn Guðmundsdóttir var fædd á Efri-Brú í Grímsnesi 25. mars 1934. Hún var merkileg kona, sem lifði mikla umbreytingar tíma, ekki bara á Íslandi heldur líka á heimsvísu allt frá fæðingu til dánardags, svo sem ris og föll heimsvelda. Hún nýtti tækifærin sem gáfust til að gera það sem hún vildi . Hún var sveitastelpa, ráðskona, handavinnukennari, varð heimsborgari, eiginkona, ól upp fjögur börn, húsmóðir, námskona, starfandi bókasafns- og upplýsingafræðingur og að lokum rithöfundur. Hún náði því svo á endanum að verða eftirlaunaþegi á þýska ríkinu í rúma tvo áratugi.
Þó ég hafi flutt að heiman 15 ára gamall, þá upplifði ég þá yndislegu tíma að mamma var alltaf heima þegar ég var barn. Ég man eftir sunnudagssteikinni með brúnu sósunni og soðnu ýsunni á mánudagskvöldum. Mamma gerði bestu rúllutertu í heimi og skyrtertu sem varð fræg með eindæmum.

Mamma var ótrúlega minnug á atburði, ártöl og mannanöfn svo undrum sætti, í hvert sinn sem hún hafði frá einhverju að segja. Hún virtist muna nöfn fólks sem bjuggu á flestum bæjum og kotum á Suðurlandi um miðja síðustu öld. Hún gat endalaust sagt sögur af fólki og tengslum. Ef ég þurfti að rifja eitthvað upp úr minni fortíð, þá var best að leita til mömmu.

Mamma tók líka upp á því á gamals aldri að skrifa endurminningar sínar, sem í fyrstu áttu að vera glósur við nokkrum spurningum, en urðu á endanum ríkulega myndskreyttar bækur í þremur bindum. Auk þess eru hljóðbækur í vinnslu. Þessar bækur eru ómetanlegar fyrir okkur afkomendur. Þær gefa okkur öllum afkomendum mömmu dýpri rætur við fortíðina. Það er því ekki orðum aukið að segja að mamma hafi sagt skilið við þennan heim með stæl.

Það var eitt af mínum síðustu verkum fyrir elsku mömmu að koma fyrir upptökutæki og hljóðnema við stólinn hennar inni í stofu svo hún gæti lesið endurminningar sínar fyrir hljóðbókina. En það fór eins og ég óttaðist þá, að henni tókst ekki að lesa sín stórkostlegu skrif. Hún var þá þegar orðin sýnilega nokkuð slöpp og lasleg að sjá. Tveimur mánuðum síðar var hún dáin.

Sem betur fer, þá var til ársgömul „prufu upptaka“ með henni þar sem hún les formála fyrstu bókar og segir aðeins frá sínum uppruna. Þá les hún endurminningar móður sinnar (ömmu), þ.m.t. um fæðingu sína og skírn.
Ég hef síðustu ár, eða í nær tvo áratugi átt það til að hljóðrita fjölskyldu hittinga. Rödd mömmu er því ekki horfin úr þessum heimi sem og annarra sem hafa verið hljóðritaðir og dáið síðustu 20 ár. Þær upptökur verða hinsvegar ekki gerðar opinberar á meðan ég lifi.

Myndirnar hér fyrir ofan ná yfir 90 ára sögu mömmu. Gamla myndin er frá þeim tíma sem mamma er að lesa um í hljóðritinu hér fyrir neðan, þ.e. frá 1934. Þar stendur Afi sem heldur á Steinu, eldri systur mömmu, og Amma situr mjög veik eftir barnsfararsótt í stól með á mömmu í fanginu.
Nýrri myndin er nýleg. Líklega ekki meira en ársgömul af mömmu

Hér kemur formáli fyrstu bókar „Mamma segir frá“ um endurminningar mömmu sem hún sjálf les.

  (mp3 160mbps / 42,8Mb)

Recorder: Sound Devices 788
Mics: NT1 & NT4 – 70/30mix

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In memoriam mom

Then came the day I knew I couldn’t escape. Mom left my life on September 27, 2025, just like Dad did on September 28, 14 years earlier. Dad’s passing reminded me that life is not eternal and one should enjoy it while I am physically able. With Mom’s passing, I lost some spiritual connection, not just to a related soul, but also a tangible connection to the past.

Mom, Ingunn Guðmundsdóttir was born in Efri-Brú farm in Grímsnes county on March 25, 1934. She was a remarkable woman who lived through great transformations, from birth to the day she died. Not only in Iceland but also globally, such as the rise and fall of world empires . She took advantage of the opportunities that came her way to do what she wanted. She was a country girl, a crafts teacher, a cosmopolitan, a wife, a mother of four, a housewife, a student, a librarian and information scientist, and finally a writer. She eventually managed to become a pensioner in the German state for over two decades.
Although I moved away from home at the age of 15, I experienced the wonderful time when my mother was always at home when I was a child. I remember the Sunday roast with brown gravy and boiled haddock on Mondays. My mother made the best „roll tart“ in the world and the cheese tart (Skyr terta) that became famous by everyone who tasted it.

My mother had an incredible memory for events, dates, and names that were surprising every time she had something to say. She seemed to remember the names of people who lived on most farms and cottages in South Iceland in the middle of the last century. She could tell endless stories about people and relationships. If I needed to recall something from my past, it was best to turn to mom.

My mother also took up writing her memoirs in her old age, which at first were supposed to be notes to a few questions, but eventually became richly illustrated books in three volumes. In addition, audio books are in the works. These books are invaluable for us descendants. They give all descendants deeper roots in the past. It is therefore no exaggeration to say that my mother said goodbye to this world in style.

One of my last tasks for my dear mother was to place a sound recorder and microphone by her chair in the living room so that she could read her memoirs for the audio book. But it turned out as I feared at the time, that she was unable to read her magnificent writing. She had already become visibly quite frail and weak looking. Two months later she passed away.

Fortunately, there was a year-old „test recording“ of her reading the preface to the first book and telling about her origins. Then she reads the memoirs of her mother (my grandmother), including about her birth and baptism.
I have been recording family gatherings for the last few years, or for almost two decades. My mother’s voice has not disappeared from this world, as have others who have been recorded and died in the last 20 years. However, those recordings will not be made public while I am alive.

The pictures above cover 90 years of my mother’s history. The old picture is from the time my mother is reading about in the audiobook here above, in Icelandic, i.e. from 1934. There is Grandpa holding Steina, my mother’s older sister, and Grandma is sitting very sick from a bout of childbed fever in a chair holding my mother.
The new picture is recent. Probably not more than a year old of my mother

Here above is the preface to the first book of three „Mamma segir frá“ of my mother’s memoirs, which she reads herself in Icelandic.

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Here is a difficult and poor recording that probably should not have taken place on this blog site, except because this is a recording of „HUM“.
This is the second Hum recording I have managed to record. In the first one, the origin of the sound was obvious, but in this recording the rumble, or drone sound, is slightly incomprehensible.
This recording was recorded in quite a bit of wind. I therefore had to hide the microphones behind a small stone cairn which in a way affects the recording and is heard differently in different headphones. It was a total coincidence that I heard this HUM because I was not walking or riding a bicycle, but in a car, which usually takes away all natural experience.
There at the top of the Vikurheiði heath I decided to stop and brew myself a coffee. That’s how I became aware of the HUM that filled the air around me. I somehow couldn’t figure out where the sound was coming from. It was coming from literally all directions, but somehow I convinced myself it probably originated from the mountaintops beyond the fjord. I tried to listen for engine noise through this rumble noise, but it wasn’t exactly clear, except twice. 
The remarkable thing about this noise was that, considering the wind and turbulence in the air, the sound was surprisingly loud. Not least if the sound originated from the aluminum plant in Reyðarfjörður, which was 17km away (in a straight line). Later that day it was confirmed that this noise was not heard from the aluminum plant.
Out in the fjord were two feeding or service boats around aquaculture. But they weren’t moving so the sounds were hardly coming from there.
At the pier by the aluminum plant there was a large bulk ship that turned its exhaust pipe towards me. But it was motionless the entire 3 hours I was up on the heath, so the sounds definitely didn’t come from the ship’s main engines.
The only explanation I have for the origin of these sounds is probably this:
The mountain slopes in Reyðarfjörður are many shaped like parabolas. They can therefore amplify sounds in certain places and directions. I therefore assume that the sounds came from the bulk ship’s generators, mixed with traffic noise in the fjord, as well as noise from the aluminum plant.
It can be assumed that this HUM will be heard differently in different headphones or speakers. Therefore, it should not be surprising if some listeners are disappointed.
Quality open headphones are recommended while listening at low to mid volume.
If the media player doesn’t start to play, please reload this individual blog in a new tab or frame.
More about this phenomenon „Global HUM
My erlier „Hum“ recording „Waste of power

(mp3 265kbps / 55Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH20 (AB45)
Pix: Canon EOS-R

Location: 65.023528, -13.758306
Date: 20th of June 2024
Weather: Partly cloudy, 8°C, 1-5 m/sec

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Here is an old recording that was found in storage after Dad died in 2011. Is it a recording that his parents, ie. my grandparents did, possibly in a few days, but there is one date, which is February 3, 1963.
My grandfather was Jón Björnsson (b.1903 – d.1985) from Karlsskála in Reyðarfjörður, east Iceland, but he lived most of his life in Reykjavík.
My grandmother Guðrún Bergþóra Bergsdóttir (b.1904 – d.1972) lived all her life in Reykjavík.
The reason for the recording was that Dad was studying electrical engineering in Germany. He was among the first engineering students who left Iceland to study in Europe after World War II.
Although there was a telephone between Iceland and mainland Europe, it was not possible for the public to make daily calls. But in those days it was customary to correspond and send letters. Around and after 1960, people began to acquire tape recorders and then the idea arose among Icelandic students to not only send letters, but also to use this new medium where people could hear the voices of their loved ones.
Unfortunately, not much of these recordings have survived, because tapes were expensive at these times. It was therefore customary to send the same tape back and forth with new recorded material each time. Something I unfortunately also did 10-20 years later with the cassettes.
Here in this recording, my grandfather and grandmother talk about the social life in Reykjavík, talk about the high frequency of accidents, possibly marine accidents that were almost a monthly occurrence, not least in the winter of those years. Then they talk about friends who are moving into a new flat, others having children and then others buying a new car. Grandfather talks about having a dream of me (Magnus) from when I was young, until I was old. Then he calls me, and asks me If I recognize his voice.
Then he mentions a beautifully carved cigar box that I inherited from my grandmother’s brother, Magnús Bergsson, who was a baker, but later went into the fishing industry with his son-in-law.
Most of the material on the recording is, however, mainly a recording from the Icelandic national broadcast service (RUV), which was at that time the only Icelandic radio station. The program was sent out on Long Wave so it could reach the whole country, but only during the day time.
Both grandparents enjoy listening to music and or dancing at all times and have fun. Therefore, you can hear both Icelandic piano music and Icelandic opera. At the end of the recording there is an educational episode about „automation“ in production and machinery, which my grandparents have been thinking my father would like to hear in Germany.
This recording below was in incredibly bad condition and of very poor recording quality. The volume was extremely fluctuating, probably because it wasn’t recorded on the same day. You could barely hear what was said in the recording due to the 50Hz hum and accompanying harmonics frequencies. Grandpa actually mentions in the recording that both the radio and the tape recorder are broken. The recorder even broke apart the tape so he had to fix it.
I was never able to clean this recording acceptably when I had the Izotope RX5 or RX8. It wasn’t until I got the RX10 that it went much better. However, I didn’t spend a lot of time cleaning everything or fixing it, simply because it would have changed the character of the bad sound quality that people were struggling with at these times. At least now you could hear what was being said.
The reason I released this recording on the web now, is that earlier this month it was 120 years since my grandmother was born.
I think it is worth mentioning that, some years ago I published another tape recording from the sixties, which was most likely a multimedia message from my parents in Germany to my grandparents in Iceland. It was from the Christmas 1964

(mp3 256kbps / 64Mb)

Recorder: unknown open reel deck.
Transferred from Revox B77 MkII to Sound devices 744 (24/48)
Mic. Unkown
Pix: Jón Björsson and Bergþóra Bergsóttir at home, close to the year 1964

Recording location: Blönduhlíð 3. Reykjavik

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It took me a while to make that decision to put this recording on the web. Mainly because then I would normally have had to tell about the recording location.
But I’m going to say as little as possible, even though the story of the location is for me more interesting than this recording.
The location will therefore be a mysterious part of this recording.
The reason I don’t want this place to be attractive is mainly because then I am sure this place is likely to be destroyed.
Every time I visit this place it is like the time is standing still.
In some weather conditions, getting to this location from a busy road can be like going through a time machine.
Quite a few people know about this house, and it’s not quite in the public eye today.
This is a stone-clad house, built in 1883. It was supposed to serve as a shelter for travelers and mail carriers, but it fell into disuse because of ghosts.
I have been coming there regularly for nearly 40 years, mostly before the turn of the century in my bicycle tours, sometimes staying overnight and seeking shelter, or just sweeping the floor and writing in the guest book. The place is therefore quite dear to me.
The weather in Iceland so far this summer has been both cold and windy, and although I am much better equipped for traveling today than I was last century, I felt the need to seek shelter at the house this summer. There were quite familiar sounds in the house that I recorded there in 3 different places. Here is one of those recordings. Rain and wind hit the windows intensely and the front door from time to time, which is most likely the ghost knocking the door.
Quality open headphones are recommended while listening at low to mid volume.
If the media player doesn’t start to play, please reload this individual blog in a new tab or frame.

(mp3 256kbps / 57Mb)

Recorder: Sound devices MixPre6
Mics: Sennheiser MKH8020/8040 (Baffled AB40)
Pix: Samsung S22

Weather: 7°C, rainy, windy 5-10 m/sec

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I have posted a protest against the western genocide in Palestine twice in the last few months and will continue to do so while the ruling elite of the West is killing people and ethnic groups to serve its imperialism in Palestine and all over the world.
A few days before I recorded this protest, the police had used tear gas on the protesters, so I also expected it could happen again. But it didn’t, except protesters use a smoke bomb.
These protests were held in front of the Icelandic Parliament during a parliamentary session. Icelandic parliamentarians are ALL puppets of the government in Washington, so the Icelandic government is complicit in the horrors that are taking place in the Middle East, both today and in the past, and elsewhere where Western imperialism attacks the world’s inhabitants.
This recording is about 35 minute long, but the whole protest lasted for approx. two hours.
The sound quality in the speaker system that was used by the protestors was terrible, but they were directed towards the parliament building. So I decided to stand behind them rather than in front so therefore It can be heard a little better in the people themselves.

  (mp3 256kbps / 66Mb)

Recorder: Sound devices MixPre6
Mics: Primo EM172 parallel double capsule in baffled – binaural setup
Pix: Samsung S6

Weather: Cloudy, 6°C. Gusts up to 8 m/sec
Location: 64.147031, -21.940228

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Although Iceland produces the most electricity per capita of any nation, wind turbines are not common in Iceland. They have either burned or overturned or something else. They are also not eye-catching, so fortunately there are no more than two that come to mind.
But that could change. Many energy oligarchs, domestic and foreign, have worked hard to be allowed to do what they want when it comes to building power plants of all kinds in Icelandic nature. They are mainly interested in it because the price of energy to the Icelandic public is not yet as extreme as in most other parts of the western world. So these Oligarchs see great profit prospects by imposing dividend taxes on the public in the future.
But stop now talking about this miserable situation and future in Iceland. I’m going crazy just thinking about it.
Let’s talk about the recording below.
Although this is a sound that is heard in many places, especially in the Western countries, these sounds from wind turbines are not yet common in Iceland. I therefore allow myself to share this recording.
It wasn’t until I started listening to it that I noticed the wide variation in the sounds, or noise coming from such structures. This is one of Iceland’s two 900KW wind turbines, of the type Enercon E-44. This wind generator reaches a height of 77 meters, with a rotor blades width of 44 meters and a generator height of 55 meters.
The wind was quite stable and directional, but you can clearly hear the hydraulic pumps that are either turning the rotor blades into the wind direction, or changing the rotation of the blades to get maximum energy each time. You can also hear when the wind sounds change in the blades after such control. Then you can hear quite a lot of „electrical noise“ which is either vibration from the generator or from the energy regulators up in the generator carrier. You can also hear that one blade make more noise than other two. It is either because that blade has a scratched surface, or that blade is dirtier than the other two.

(mp3 256Kbps / 44Mb)

Recorder: Sound Devices MixPre6
Mics: Sennheiser MKH8020/8040 (Parallel baffled AB35)
Pics: Samsung S22

Location: 64.12940, -19.72784
Weather: Cloudy, 14°C, 7-12m/sec 

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More than 5 months have passed and the genocide is still going on in Gaza in occupied Palestine. Since the Western-backed Zionists started destroying Gaza and the West Bank and the genocide of the people of Gaza, the Iceland-Palestine Association and other peace activists have been holding actions in various places in Reykjavik almost every week all this winter.
I myself have not been able to attend all these solidarity marches, but I did so here when they marched through the center of Reykjavik to the British and German embassies on March 2, 2024.
I encourage people to attend such solidarity marches with Palestine around the world and record them. We must end the horrors that Western imperialism and colonialism have cost the rest of the world for centuries, and most recently in Palestine.

It was quite cold but sunny, and sometimes there was a gust of wind that sometimes interrupted the recording because I didn’t use HPF. Here I am recording in binaural and using Primo EM 172 capsules which are located near my ears and point 180° in each direction.
The recording was done on a Sony PCM-D100 so the equipment fit in a pocket, was light and compact.
At the first peace meeting I attended in October, I used a Baffled-AB-Binaural microphone set based on 2×2 EM172 capsules, which can withstand much higher winds, but at the same time requires more bulky and heavier equipment.

(mp3 256kbps / 53Mb)

Recorder: Sony PCM-D100
Mics: Primo EM172 binaural
Pix: Samsung S22
Weather: Clear sky. Gust 1-10 m/sec -2°C

Location: Hallgrímskirkja where the parade started (pix)

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Recording fireworks is probably like photographing a sunset for a photographer. Nothing special but there is always some duty that calls for it to be done.
It is not the loud sound that fascinates, but the interaction of the sound with the environment. Reflection of a sound wave. e.g. the echoes from houses, mountains or trees that make it interesting to record fireworks. The problem, however, is that I am often confined to staying at home with my family on this day. I am therefore not in different places from year to year, and therefore I have to say that I have not made a good or interesting recording of fireworks, apart from maybe one recording in Tenerife. I’m also always experimenting with microphone setups, which usually don’t work out well when there’s a lot of other things going on.
It is with mixed feelings that I put a fireworks recording on the web this time. Have done it before and therefore not urgent to do it again because it always sounds as a loud noise which is not healthy for the ears or speakers.
But this new year is marked by terrible wars, which unfortunately all have their origins to the western hegemony and imperialism, as usual. Most recently with the targeted genocide in Palestine which as of this writing can easily escalate into an even bigger war, more or less all over the middle east.
The NATO proxy war in Ukraine is still going on after almost ten years conflict. It has destroyed Ukraine and seems to be also destroying Europe in coming years, if not in decades because of politicians stupidity. This time, the West, led by the United States, EU & GB has lost both credibility and the trust of most nations in the world.
The world is changing. US unipolar empire is falling and new multipolar empires are rising. At the same time, the US will drag Europe down in the fall and destroy Europe as a flourishing continent, only because of insane hatred towards Russia.
The new year therefore does not seem to offer anything good for many nations, but only continued with conflict and disaster. Fireworks with all its noise are therefore no longer part of entertainment in my mind, but a reminder of war with destruction, killings and mutilations.

This recording was made in my backyard, between houses with LCT540s in IRT. You can hear that the echo time is short. Some might think it’s because I used a Limiter. But the Limiter was turned off, as always should be done when recording fireworks. Recording sound pressure rose to a peak of +7.7dB (-7.4 LUFS-S) .
Details that can often be heard in fireworks when they are launched are not heard clearly in this recording because they were launched from beyond the houses in this backyard. However, I had another microphone set (MKH20/40 parallel AB) close to a place where people were setting off fireworks, but that recording did not go well for various reasons.
Even though this recording has been downgraded to mp3, be careful when listening to this recording. Don´t put up the volume, especially not when listening with speakers.
Quality open headphones are recommended while listening at mid/high-level.
Following picture shows the spectrogram of the whole recording this new years eve. But following recording start at 22:30min. Midnight is at 30:00min and the recording end at 52:30min
If the media player doesn’t start to play, please reload this individual blog in a new tab or frame.

(mp3 256kbps / 67Mb)

Recorder: Sound devices 788
Mics: Lewitt 540s, IRT cross setup
Weather: Calm, about -4°C
Pix: Spek Spectrogram
Location: Reykjavik Iceland

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On October 15, 2023, a solidarity meeting with Palestine was held at Austurvelli in downtown Reykjavík. I think I could estimate that about 5-6 hundred people came to the meeting, which can be considered quite good by Icelandic standards
The week before, on October 7th, western propaganda media had reported some vague attack by „Hamas“ forces that was considered terrorism against civilians of the so-called „state of Israel“. Much is still unclear about what will happen on this October day. Even the occupiers themselves were not all on the same page about what really happened that day, as it became clear that Apache military helicopters from the occupying forces had probably caused more damage and killed even more people than „Hamas“ forces in some places.
But if Hamas had done something, it was enough for the „Israeli“ occupation authorities to think they had the right to let bombs rain on innocent civilians in the world’s most densely populated area, the Gaza strip. Gaza is nothing more than a concentration camp, fully controlled by this „Israel“ fascist colony state, supported by the west since 1948.
More about this conflict:
The untold history of Hamas.
The ‘Hamas human shield’ justification for Israeli war crimes
Why does the US support Israel?
I am not going to comment further on these miserable conditions that the Palestinians have had to withstand for 75 years. It is quite clear that the legacy of Hitler and the imperialist policies of the West is ruling the occupied Palestine.
At Austurvöllur on October 15, several speeches were given as well as songs. To be able to stick to the time frame, I took out one speech and the songs.

(mp3 256kbps / 60Mb)

Recorder: Sound devices MixPre6
Mics: DIY Stereo mic. Double Primo EM172 capsules in AB baffled/binaural setup
Pix: Samsung G22

Weather: Cloudy, wind up to 4m/s, about 2°C
Location: 64.147308, -21.940289

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I was reminded this winter that I should record more street life. I’ve always had that in mind, but somehow it’s always something in nature that fascinates me more.
On Labor Day earlier this month, I went down to the center of Reykjavík to record human life and the traditional program on this great day. Instead of going on a mass march through the streets of the city, I went straight down to Hallærisplan square and waited for the marchers and brass bands..
A large stage with a sound system had been set up in the square and there were only a few people. But shortly after I had started the recording, marchers and brass bands came rushing onto the square. The speeches of the day were nothing special, but the music was fine. It will not be audible here, except of course the brass bands that accompanied the mass march.
It took me a while to decide to put this recording on the web. It sounds bad in HD650 headphones, but slightly better in MDR7506.
But the remarkable thing about this recording in my opinion is the hum, noise or tone at 4Khz, 6Khz 8Khz and 10Khz. Anyone with trained hearing can hear these tones in this recording below, although an unrelated fan hum is also evident in the recording.
I first noticed this noise when I was recording COVID silence in the same square during the „lock down“ in the first weeks of the COVID, in the spring of 2020. Then it only came from one direction and also contained 15khz which is not audible now.
However, I have never been able to locate the source of this noise. I thought for a long time that this noise was coming from a broken transformer for the LED lighting. But here it was a clear day and all lights were off so this noise is coming from something else.

  (mp3 256kbps / 61,2Mb)

Recorder: Sound devices MixPre6
Mics: Primo EM172 / EM272 capsules v. LOM phantom power amps (Baffled AB)
Pix: Samsung S22

Location: 64.148076, -21.941375
Weather: 3-6m/sec, partly cloudy. about 10°C

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